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This 3-book compilation is filled with over 360 musical examples. Every concept and technique is demonstrated with stylistic licks and riffs - No mindless exercises! Throughout, creativity and understanding is prioritized to you with the knowledge and confidence to get playing immediately Audio is included for all the 360+ examples, including nine extended solo studies and backing tracks. The first two books provide an easy-to follow-method for learning heavy metal guitar from the ground up. For the beginner, with the fundamentals in place, each book starts from the classic rock influences of Deep Purple and Led Zeppelin, before charting a course through metal's varied development.
An account of the English rock band Hawkwind shows them to be one of the most innovative and culturally significant bands of the 1970s.Fifty years on from when it first formed, the English rock band Hawkwind continues to inspire devotion from fans around the world. Its influence reaches across the spectrum of alternative music, from psychedelia, prog, and punk, through industrial, electronica, and stoner rock. Hawkwind has been variously, if erroneously, positioned as the heir to both Pink Floyd and the Velvet Underground, and as Britain's answer to the Grateful Dead and Krautrock. It has defined a genre—space rock—while operating on a frequency that's uniquely its own.Hawkwind offered a form of radical escapism and an alternative account of a strange new world for a generation of young people growing up on a planet that seemed to be teetering on the brink of destruction, under threat from economic meltdown, industrial unrest, and political polarization. While other commentators confidently asserted that the countercultural experiment of the 1960s was over, Hawkwind took the underground to the provinces and beyond. In Days of the Underground, Joe Banks repositions Hawkwind as one of the most innovative and culturally significant bands of the 1970s. It's not an easy task. As with many bands of this era, a lazy narrative has built up around Hawkwind that doesn't do justice to the breadth of its ambition and achievements. Banks gives the lie to the popular perception of Hawkwind as one long lysergic soap opera; with Days of the Underground, he shows us just how revolutionary Hawkwind was.
From dealing blackjack in the small-time gangster town of Steubenville, Ohio, to carousing with the famous "Rat Pack" in a Hollywood he called home, Dean Martin lived in a grandstand, guttering life of booze, broads, and big money. He rubbed shoulders with the mob, the Kennedys, and Hollywood''s biggest stars. He was one of America''s favorite entertainers. But no one really knew him. Now Nick Tosches reveals the man behind the image--the dark side of the American dream. It''s a wild, illuminating, sometimes shocking tale of sex, ambition, heartaches--and a life lived hard, fast, and without apologies.
James Newell Osterberg Jr., better known by his stage name Iggy Pop, is an American singer, songwriter and musician, widely acknowledged as the "The Godfather of Punk". From Raw Power to Lust for Life, he has written a number of influential albums and iconic singles both as the vocalist of The Stooges and as a solo artist who collaborated with David Bowie, Debbie Harry, Alice Cooper and many more.
Published to coincide with the twenty-fifth of the band's founding, an insightful and visual look at the rock survivors' journey so far.
The book offers readers a deeper understanding of Ambisonic technologies, and will especially benefit scientists, audio-system and audio-recording engineers. In the advanced sections of the book, fundamentals and modern techniques as higher-order Ambisonic decoding, 3D audio effects, and higher-order recording are explained.
A great companion for both guitar and piano players, this book places the most popular chords in context. Includes clear diagrams and concise information on what chords are, how they can be used, and what they can be used alongside, with guidance on chord progressions.
Featuring a foreword by Suggs and jam-packed with iconic images, this is the definitive visual history of the Suedehead way of life.
Frank Zappa was an unremitting musical innovator and experimenter always looking for ways to exploit the latest advances in technology. His working life coincided with the explosive development of music technology that ran from the 1960s through the following three decades. Without such inventions as the Marshall amplifier the Gibson SG the wah-wah pedal and the Synclavier¿much of it modified to his requirements and used in ways for which they had never been designed¿Zappa's air sculptures as his music has been described would have had a significantly different shape and texture. Lavishly illustrated¿including over 180 unique photographs of Frank Zappa's guitars and equipment taken by the author at his UMRK studio in LA and featuring a foreword by Dweezil ZappäZappa's Gear offers an unprecedented inside look at the machinery behind the legendary music. In addition to a detailed presentation of the equipment Zappa's Gear also introduces some of the pioneering inventors, engineers and entrepreneurs without whom the instruments would not exist. Zappa's Gear is an official Frank Zappa book produced and written with the full cooperation and endorsement of Gail Zappa and the Zappa Family Trust.
Up Jumped the Devil will astonish blues fans who thought they knew something about Robert Johnson.
MR. TAMBOURINE MAN THE STORY OF THE BYRDS GENE CLARK
The definitive biography of one of the most intriguing bands of the late twentieth century, written with the participation of the group s key members.
The perfect gift for popular culture feminists and audiophiles alike, Women Who Rock Cross-Stitch features 30 bold cross-stitch patterns alongside off-beat biographies of 20 of the music industry's most seminal figures.
The book that set the standard for orchestration texts.
Hailed the Trumpet Bible for over 150 years, this complete pedagogical method contains hundreds of exercises for brass instruments, beginning with basics and progressing to advanced compositions, including the author's famous arrangement of "The Carnival in Venice." Sharing the knowledge he acquired from many years of experience as a performer and teacher, Arban discusses every aspect of playing with emphasis on articulation, tonguing, slurs, tone, and range. He offers an appreciation of all the instrument's inherent difficulties as well as instructive points that touch upon all possible musical questions. Whether you are a beginner or an old master, this unabridged republication of the 1912 edition is an asset to trumpet, French horn, and cornet players. Joseph Jean-Baptiste Laurent Arban (1825-1889), the first famed virtuoso of the cornet, applied Niccolò Paganni's virtuosic technique for the violin to the cornet to prove that the cornet is a true solo instrument. From 1841 to 1845, Arban studied trumpet under Francois Dauverné at the Paris Conservatoire. He was appointed professor of sax horn at the École Militaire in 1857 and professor of cornet at the Paris Conservatoire in 1869. Arban devoted his life to music working as a conductor, composer, and professor. His legacy endures in the Arban Method, which continues to be widely studied by modern horn players, along with his masterful arrangement of "The Carnival of Venice," which remains a legendary soloist cornet piece.
Designing Tube Preamps for Guitar and Bass is the most comprehensive guide to the design of tube-based preamplifiers for musical instrument use, in a single volume. From the input to the phase inverter this book discusses in detail the inner workings and practical design of every part of a conventional guitar preamp, including the use of triodes, pentodes, tone controls, effects loops and much more. This second edition is fully revised and includes four new chapters covering noise, signal switching, topology, and grounding. Aimed at intermediate-level hobbyists and circuit designers, it explores how to manipulate distortion and maximise performance for the perfect tone. With easy-to-read explanations, minimal math and over 250 diagrams and figures, it is an essential handbook for any tube amp enthusiast!
Perhaps the greatest of all works for the solo Cello. Bach's 6 Cello Suites BWV 1007-1012 edited by Hugo Becker.Suiten fÿr Violoncello solo BWV 1007â¿1012Vielleicht das groÃartigste aller Werke fÿr das Solo-Cello. Bachs 6 Cellosuiten BWV 1007-1012, herausgegeben von Hugo Becker.
An expanded and updated edition, this Companion will appeal to students and practitioners of electronic music. Including four new chapters and new artists' statements, this book explores the history, theory, creation and analysis of a wide range of styles across the worldwide electronic music scene.
'All the hard-living, the drinking, the drugging, the sex, the money, all the bullshit, it was never hard. It was easy. The hard part was not dying from it.' Lemmy, as told to Mick Wall'Unflinching, forthright and full of wry humour as the man himself, and there's little praise greater than that' CLASSIC ROCK
The definitive history of the iconic independent label Mute Records.
The first detailed contextual study of chamber music in Beethoven's Vienna, at a time when the string quartet reigned supreme among the different chamber genresThis book is the first detailed contextual study of string quartets in Beethoven's Vienna, at a time when that genre reigned supreme among the different chamber genres. Focusing on a key transition period in the early nineteenth century, which bore witness to fundamental shifts in the 'private' sphere of music-making, it explores the 'cultivation' of string quartets by composers, critics, listeners, performers, publishers and patrons. The book highlights these parties' interactions, ideas and ideals, which were central to defining the unique cultures of chamber music arising at this time. We gain fresh insights into publishing and marketing, performance venues and practices, review culture, listening theories and practices, and composition in early nineteenth-century Vienna. Until now, the unique theatricality of chamber music, and the 'social' nature of its discourse, has been poorly appreciated. Cultivating String Quartets in Beethoven's Vienna addresses this misconception and enriches our understanding of this crucial period of change, in which concert life began and previously 'private' music was moved out onto the stage. NANCY NOVEMBER is Associate Professor in Musicology at the University of Auckland.
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