Music

"e;The only plan right now is to kill everybody"e; Joey Jordison, drummerIgnoring every rule in the book and more besides, Slipknot are a notoriously controversial band who combine a talent for outrage with their music. Reminiscent of the outlandishness of punk, 'nu metal' has become the fastest growing area in rock, with Slipknot selling over 2 million copies of their debut album. And yet Slipknot spit, swear and risk injury night after night in their extraordinary live performances. Incredibly, their apparel of masks and boiler suits, which they refuse to remove, means that their fans still do not know what they look like. Jason Arnopp, the first British journalist to interview Slipknot face to mask, describes the transformation of the Des Moines crew into unorthodox mega stars. Featuring an introduction by the legendary Gene Simmons of Kiss, this biography will be the first published on the band either in the UK or America and will include exclusive interviews and in-depth information on the mysterious nine masked men.

An impassioned and invaluable guide for actors and students of musical theatre. In Acting Through Song,?Paul Harvard takes the techniques of modern actor training - including the theories of Stanislavsky, Brecht, Meisner and Laban, amongst others - and applies them to the fundamental component of musical theatre: singing. With dozens of exercises to put these theories into practice, and numerous examples from a broad range of musicals, the result is a comprehensive and rigorous acting course for those training in musical theatre or already performing, whether amateur or professional, to realise their potential - and act better. 'The most methodical, thorough and practical book on the subject that I've ever read.' - Daniel Evans, from his foreword 'If you want to maximise your potential in this tough profession, this is not just a must-read - it's your Bible.' - Stuart Barr

Created in the late 1960s, fashionable in the early 1970s and hated in the 1980s, Progressive Rock has a colourful and eventful story. Many of the genre's main protagonists, including Genesis, Yes, King Crimson and Emerson, Lake & Palmer, remain as popular as ever, while lesser-known names like Camel, Caravan, Renaissance, Van der Graaf Generator and Gentle Giant retain cult status. In this completely revised and updated edition, Stephen Lambe guides the reader through the early years as the music developed out of the British Progressive Music boom of the late 1960s into its own genre, and reached full maturity in the early 1970s. He also discusses how the music was received and developed outside the UK, particularly in the USA and Europe. Received wisdom has it that punk swept Progressive Rock away in the late 1970s, yet the genre never died. An early 1980s revival, spearheaded by major label signings Marillion, IQ and Pallas, burned brightly but fell away sharply later in the decade. However, in the early 1990s, the movement began to re-establish itself, largely below the radar, led by Swedish band The Flower Kings and American group Spock's Beard. The rise of the internet and the decline of the worldwide pop industry allowed niche music - as Progressive Rock had now become - to flourish once again in the new millennium. Stephen Lambe has been co-promoter of the Summer's End Progressive Rock festival since 2006. He helps promote Welsh band Magenta, and is Secretary of the Classic Rock Society, whose patrons include Steve Hackett and Roger Hodgson. He writes regularly for the magazine Rock Society.

Kate Bush has written some of the most memorable songs in pop music history. Wuthering Heights, her debut single shot to number 1 in 1978 and she remains something of an enigma over a quarter of a century later. A singer, songwriter, musician, dancer, actress and director, Kate has inspired a devoted following around the world. Rob Jovanovic traces the story of Kate Bush's career, from her up-bringing in the Essex countryside through her first forays into music with a series of home recordings, to her number 1 debut album that propelled her to international stardom. Including exclusive interviews with studio musicians and choreographers, Jovanovic's biography emphasises both her voracious talent and her intensely private personality.

In her bestselling autobiography Bedsit Disco Queen, Tracey Thorn recalled the highs and lows of a thirty-year career in pop music. But with the touring, recording and extraordinary anecdotes, there wasn't time for an in-depth look at what she actually did for all those years: sing. She sang with warmth and emotional honesty, sometimes while battling acute stage-fright.Part memoir, part wide-ranging exploration of the art, mechanics and spellbinding power of singing, NAKED AT THE ALBERT HALL takes in Dusty Springfield, Dennis Potter and George Eliot; Auto-tune, the microphone and stage presence; The Streets and The X Factor. Including interviews with fellow artists such as Alison Moyet, Romy Madley-Croft and Green Gartside of Scritti Politti, and portraits of singers in fiction as well as Tracey's real-life experiences, it offers a unique, witty and sharply observed insider's perspective on the exhilarating joy and occasional heartache of singing.

He is one of the greatest musical talents Britain has ever produced. But even as the principle songwriter and lead guitarist for The Who, it would be unjust to define Pete Townshend's life simply through his achievements with bandmates Daltrey, Moon and Entwistle.Noting that he has sold over 100 million records over a fifty-year period goes some way to quantifying his accomplishments, but numbers only scratch the surface of his contribution to popular culture.An avid student of his profession, during his career he has been credited with the creation of the concept album, worked as a literary editor, developed scripts for television and the stage, and written songs that have defined a generation. The thinking man's rock star with a dedication to his craft unlike any other in the business, he continues to inspire new generations of performers and writers with a continuing commitment to his art.Now, in one of the most eagerly awaited autobiographies of recent times, this icon tells about his incredible life and elaborates on the turbulences of time spent as one of the world's most respected musicians - being in one of rock's greatest ever bands, and wanting to give it all up.Incredibly, as a man who has achieved so much, this truly unique story of ambition, relentless perfectionism and rock and roll excess will be regarded as one of his greatest achievements.

'They are not for you but for a later age!' Ludwig van Beethoven, on the Opus 59 quartets.Tackling the Beethoven quartets is a rite of passage that has shaped the Takacs Quartet's work together for over forty years. Using the history of the composition and first performances of the quartets as the backbone to his story, Edward Dusinberre, first violinist of the Takacs since 1993 - recounts the life of the Quartet from its inception in Hungary, through emigration to the US and its present-day life as one of the world's renowned string quartets. He also describes what it was like for him, as a young man fresh out of the Juilliard School, to join the Quartet as its first non-Hungarian member - an exhilarating challenge. Beethoven for a Later Age takes the reader inside the life of a quartet, vividly showing how four people enjoy making music together over a long period of time. The key, the author argues, is in balancing continuity with change and experimentation - a theme that also lies at the heart of Beethoven's remarkable compositions.

One of the most tangible aftershocks of Punk was its urgency to prompt individuals into action. Document your reality: do it yourself. From this, a generation of young men were inspired and, with often zero financial planning or business sense, in a bedroom, garage or shed, labels such as Factory, Rough Trade, Mute, 4AD, Beggars Banquet, Warp, Domino and Creation began, shifting the musical landscape and trading on an ethos and identity no brand consultant would now dare dream of. Musicians were encouraged to do whatever the hell they wanted and damn the consequences. From humble beginnings, some of our most influential artists were allowed to thrive: New Order, The Smiths, Depeche Mode, Orange Juice, Cocteau Twins, Sonic Youth, Happy Mondays, Primal Scream, Aphex Twin, Teenage Fanclub, My Bloody Valentine, Autechre, Broadcast, Vampire Weekend, The White Stripes and Artic Monkeys to name but a handful. This is the story, set to an incredible soundtrack, of the enormous scale of the passions, the size of the egos, and the true extent of the madness of the mavericks who had the vision and bloody-mindedness to make the musical landscape exciting again.

Why 33? Partly because that's the number of rotations performed by a vinyl album in one minute, and partly because it takes a lot of songs to tell a story which spans seven decades and five continents - to capture the colour and variety of this shape-shifting genre. This is not a list book, rather each of the 33 songs offers a way into a subject, an artist, an era or an idea. The book feels vital, in both senses of the word: necessary and alive. It captures some of the energy that is generated when musicians take risks, and even when they fail, those endeavours leave the popular culture a little richer and more challenging. Contrary to the frequently voiced idea that pop and politics are awkward bedfellows, it argues that protest music is pop, in all its blazing, cussed glory.

In virtually all areas of Dylan's life - his immigrant antecedents, his business dealings, his various addictions and his romantic attachments - Heylin is able to provide a fascinating picture of a man who changed the whole course of popular music in the sixties and, over thirty years later, won three Grammys. Heylin has given full weight to Dylan's own words and those of his closest associates, with over 250 people quoted in the book, helping to provide a portrait of a complex figure. Including 60,000 words of brand new material - dealing with Dylan's four twenty-first century albums; his archival audio-visual projects; his third film; his series of paintings and exhibitions; his autobiography, Chronicles; and his ongoing romantic liaisons and 'missing' marriages - this fully updated story of Dylan provides a monumental overview of the Man and his Music.

We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups . . . But what happens when we run out of past? Are we heading toward a sort of cultural-ecological catastrophe, where the archival stream of pop history has been exhausted? Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point and that although earlier eras had their own obsessions with antiquity - the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism - never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?

How are conductors' silent gestures magicked into sound by a group of more than a hundred brilliant but belligerent musicians? The mute choreography of great conductors has fascinated and frustrated musicians and music-lovers for centuries. Orchestras can be inspired to the heights of musical and expressive possibility by their maestros, or flabbergasted that someone who doesn't even make a sound should be elevated to demigod-like status by the public.This is the first book to go inside the rehearsal rooms of some of the most inspirational orchestral partnerships in the world - how Simon Rattle works at the Berlin Philharmonic, how Mariss Jansons deals with the Concertgebouw Orchestra in Amsterdam, and how Claudio Abbado creates the world's most luxurious pick-up band every year with the Lucerne Festival Orchestra. From London to Budapest, Bamberg to Vienna, great orchestral concerts are recreated as a collection of countless human and musical stories.

In Listen to This, the award-winning music critic and author of The Rest is Noise, Alex Ross looks forward and backward in musical culture: capturing essential figures in classical music history, as well as giving an alternative view of recent pop music.From his own first encounter with classical music to vibrant sketches of Schubert, Verdi and Brahms; from in-depth interviews with modern pop masters such as Bjork and Radiohead to the lives of a high school's music students, Ross shows how music can express the full complexity of human experience. He explains how pop music can achieve the status of high art and how classical music can become a vital part of wider contemporary culture.Witty, passionate and brimming with insight, Listen to This teaches us to listen more closely.

In May 1939 Britten and Pears disembarked at Montreal at the start of their American visit, which was to be a period of intense musical activity and new personal relationships. At the same time, the relationship between Britten and Pears deepened into a partnership that was to endure for almost forty years.Their absence from England during the first years of the war led to sharp public comment and controversy, much of it documented here. On their return from America in 1942, hostility to their pacifist convictions and to their homosexuality resurfaced. Prejudice and subterfuge even affected the premiere of Peter Grimes in 1945, although it could not prevent the opera from being an unprecedented success.The letters in this second volume from the years 1939 to 1945 are among the most fascinating of the correspondence, and - supplemented by the editors' detailed commentary and by exhaustive contemporary documentation - offer a unique insight into American history, politics and culture during the Second World War.

Spanning Tom Waits' extraordinary 40-year career, from Closing Time to Orphans, Lowside of the Road is Barney Hoskyns' unique take on one of rock's great enigmas. Like Bob Dylan and Neil Young, Waits is a chameleonic survivor who's achieved long-term success while retaining cult credibility and outsider mystique. From his perilous "e;jazzbo"e; years in '70s Los Angeles to the multiple-Grammy winner of recent years - by way of such shape-shifting '80s albums as Swordfishtrombones - this exhaustive biography charts Waits' life step-by-step and album-by-album. Affectionate and penetrating, and based on a combination of assiduous research and deep critical insight, this is a outstanding investigation of a notoriously private artist and performer - the definitive account to date of Tom Waits' life and work.

A miracle of still-plentiful hair, raw sex-appeal, and strutting talent . The frontman of one of the most influential and controversial groups of all time. A musical genius with a career spanning over four decades. Mick Jagger is a testament at once to British glamour and sensual decline, the ultimate architect and demi-god of rock.Bestselling biographer Philip Norman offers an unparalleled account of the life of a living legend, Mick Jagger. From Home Counties schoolboy, to rebel without a cause to Sixties rock sensation and global idol, Norman unravels with astonishing intimacy the myth of the inimitable frontman of The Rolling Stones. MICK JAGGER charts his extraordinary journey through scandal-ridden conspiracy, infamous prison spell, hordes of female admirers and a knighthood while stripping away the colossal fame, wealth and idolatry to reveal a story of talent and promise unfulfilled.Understated yet ostentatious; the ultimate incarnation of modern man's favourite fantasy: 'sex, drugs and rock 'n' roll', yet blessed with taste and intelligence; a social chameleon who couldn't blend in if he tried; always moving with the Jagger swagger yet modest enough to be self-deprecating, Mick was a paradoxical energy that reconfigured the musical landscape.This revelatory tour de force is ample tribute to a flawed genius, a Casanova, an Antichrist and a god who, with characteristic nonchalance realised the dreams of thousands of current contenders and rocker pretenders, longevity, while coasting on a sea of fur rugs.

Three Bestselling Shred Guitar Soloing Books in One Definitive EditionUltimate Shred Machine | Rock Guitar Mode Mastery | Shred Guitar ImprovisationLegendary YouTube teacher, Shred-Jedi and Metal-Meister Chris Zoupa brings together his three bestselling soloing guides in one phenomenal edition! 320-pages of mind-melting licks and over 300 audio tracks to download for FREE.Ultimate Shred MachineForget vanilla 'safe space' guides and make way for the Ultimate Shred Machine - the ultimate guide to shred guitar picking, tapping and sweeping! In this no-nonsense guide to shred guitar, Chris Zoupa cuts through the mystery and misinformation that shrouds guitar technique, and expertly guides you through the essential skills that'll super-charge your rock guitar playing.What you'll learn: How to play flawless shred guitar, taught in an easy-to-follow manner The secrets of fast alternate picking guitar technique How to sweep-pick arpeggios the right way and avoid common mistakes Legato guitar technique in the styles of Satriani, Govan and Gilbert Exotic scale runs in the styles of Malmsteen, Skolnick and Laiho Neo-classical metal guitar exercises and licks Simple to advanced guitar tapping techniques Over 100 exercises and guitar licks with FREE supporting audio to download Great tips on guitar tone and the use of distortionRock Guitar Mode MasteryA comprehensive guide to the modes that shows how to creatively apply them to rock and shred metal guitar. This book enables you to get right inside the music, understand how those rock and metal guitar parts are constructed, and begin to create your own. Chris Zoupa's no-nonsense, common sense guide shows us how to use each mode in its correct context. Throughout this book the focus is on making great music, not simply acquiring knowledge.What you'll learn: A clear guide that cuts through the confusion many have about modal guitar playing Scales, pentatonic patterns and arpeggios for each mode How the great rock and metal players use the modes to compose and improvise solos Licks in the style of Kirk Hammett, Michael Paget, Mark Tremonti, Alex Skolnick, Slash, Alexi Laiho, Paul Gilbert and many more! Creative ways of using modes so they don't sound like boring scales, along with numerous shred technique such as alternate picking, legato, sweep picking and tappingShred Guitar ImprovisationIn Shred Guitar Improvisation, you'll learn the essential knowledge you need to cover a huge variety of playing situations. You'll also build your shred guitar vocabulary with hundreds of creative licks! Chris Zoupa shows you tons of different ways of varying scales and shred sequences to keep them surprising, exciting and unpredictable.Creative Shred guitar techniques you'll learn: Essential harmony and chord theory Scale and arpeggio choices to play over diatonic chords Scale and arpeggio choices for non-diatonic chords Powerful licks for every scale/arpeggio in the book How to solo with chord fragments How to break away from clichéd box shape licks How to compose your own improvised solos

A comprehensively illustrated reference to musical instruments and the history of the orchestra, and a guide to 100 classical composers from Bach to Xenakis, in a newly updated large-format edition.

A rare collection of more than 200 full-color and black-and-white souvenir photographs and memorabilia that bring to life the renowned jazz nightclubs of the 1940s and 1950s, compiled by Grammy Award-winning record executive and music historian Jeff Gold and featuring exclusive interviews with Quincy Jones, Sonny Rollins, Robin Givhan, Jason Moran, and Dan Morgenstern.In the two decades before the Civil Rights movement, jazz nightclubs were among the first places that opened their doors to both Black and white performers and club goers in Jim Crow America. In this extraordinary collection, Jeff Gold looks back at this explosive moment in the history of Jazz and American culture, and the spaces at the center of artistic and social change. Sittin’ In is a visual history of jazz clubs during these crucial decades when some of the greatest names in in the genre—Billie Holiday, Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Miles Davis, Louis Armstrong, Oscar Peterson, and many others—were headlining acts across the country. In many of the clubs, Black and white musicians played together and more significantly, people of all races gathered together to enjoy an evening’s entertainment. House photographers roamed the floor and for a dollar, took picture of patrons that were developed on site and could be taken home in a keepsake folder with the club’s name and logo.Sittin’ In tells the story of the most popular club in these cities through striking images, first-hand anecdotes, true tales about the musicians who performed their unforgettable shows, notes on important music recorded live there, and more. All of this is supplemented by colorful club memorabilia, including posters, handbills, menus, branded matchbooks, and more. Inside you’ll also find exclusive, in-depth interviews conducted specifically for this book with the legendary Quincy Jones; jazz great tenor saxophonist Sonny Rollins; Pulitzer Prize-winning fashion critic Robin Givhan; jazz musician and creative director of the Kennedy Center, Jason Moran; and jazz critic Dan Morgenstern.Gold surveys America’s jazz scene and its intersection with racism during segregation, focusing on three crucial regions: the East Coast (New York, Atlantic City, Boston, Washington, D.C.); the Midwest (Chicago, Cleveland, Detroit, St. Louis, Kansas City); and the West Coast (Los Angeles, San Francisco). This collection of ephemeral snapshots tells the story of an era that helped transform American life, beginning the move from traditional Dixieland jazz to bebop, from conservatism to the push for personal freedom.

The inside story of one of the greatest rock bands of all time, updated.

Passed down in the oral tradition and sung traditionally as working songs, sea shanties tell the human stories of life at sea: hard graft, battling the elements, the loss of ships or pining for a lady on shore. Acclaimed shanty devotee Gerry Smyth presents the background to each shanty alongside musical notation.

Explore Edinburgh's hidden music heritage, plus a few of its more tuneful tall tales, with this eye-opening guide of the city's music milestones, famous gigs, infamous incidents and colourful characters.

(Willis). Designed for budding songwriters of any age, this workbook requires only a minimal knowledge of the piano. Written so it is easy to use with or without a teacher, singer/songwriter Allison James carefully guides the beginning songwriter through the process of writing a complete song with chords, melody, and lyrics using a keyboard, a sense of creativity, and a pencil! A notation chapter is also included, as well as a glossary. Learn to write your first song today! Also available: How To Write a Song on the Guitar.

"We do not understand music--it understands us." This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most detailed and comprehensive exploration of the subject. It collects new work by leading international scholars who draw on a variety of historical sources and analytical approaches to offer fresh insights into the aesthetics of the quartets, probing expressive and structural features that have hitherto received little attention. This volume also includes an appendix with updated information on the chronology and sources of the quartets and a detailed bibliography.

This best-selling text gives music majors and minors a solid foundation in the theory of music. It strengthens their musical intuition, builds technical skills, and helps them gain interpretive insights. The goal of the text is to instruct readers on the practical application of knowledge. The analytical techniques presented are carefully designed to be clear, uncomplicated, and readily applicable to any repertoire. The two-volume format ensures exhaustive coverage and maximum support for students and faculty alike. Volume I serves as a general introduction to music theory while Volume II offers a survey of the theoretical underpinnings of musical styles and forms from Gregorian Chant through the present day. The supplemental instructor's materials provide clear-cut solutions to assignment materials. Music in Theory and Practice is a well-rounded textbook that integrates the various components of musical structure and makes them accessible to students at the undergraduate level.

Statement of responsibility from colophon.