Music

"First published in 2002 under the title The Smiths - songs that saved your life"--P. 7.

Beginning in 1970, with the transformative effects of the Kent State University shootings - which the band-members witness firsthand - and ending a decade later with Devo on the cusp of superstardom (with "Whip It"), this title traces the sounds and ideas that the group absorbed and in turn brought to prominence as unlikely rock stars.

Manchester, its bands, its fashions, its attitude, has defined pop culture for the best part of four decades. Whether it be on a rain-soaked stage in Brazil, a rented room in Whalley Range, or on the dancefloor of the legendary Hacienda, Kevin Cummins' exquisite photographs capture the anarchic energy of the Manchester pop moment.

* A detailed exploration of how historical harpsichords were made, with instructions on how the modern reader can do the same. * Comprehensively illustrated with 400 photos and line drawings * Written by an internationally respected musical instrument museum curator and instrument researcher with considerable harpsichord-making experience.

From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James "J Dilla" Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as "hip hop music" is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying?Drawing from philosophy, critical theory and musicology, as well as Dilla's own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist's declining health as it is an example of what scholars call "late style," placing the album in a musical tradition that stretches back centuries.

In 1982, Fender revived an old guitar-string name for its new line of Japanese-made electric guitars. Thirty years later, Squier is almost as important to the company as the main Fender brand. This book tells the story of the millions of guitars produced with the Squier name in the years between that inauspicious birth and its 30th anniversary.

Dangerous is Michael Jackson's coming of age album. Granted, that's a bold claim to make given that many think his best work lay behind him by the time this record was made. It offers Jackson on a threshold, at long last embracing adulthood-politically questioning, sexually charged-yet unable to convince a skeptical public who had, by this time, been wholly indoctrinated by a vicious media. Even though the record sold well, few understood or were willing to accept the depth and breadth of Jackson's vision; and then before it could be fully grasped, it was eclipsed by a shifting pop music landscape and personal scandal-the latter perhaps linked to his assertive new politics. This book tries to cut through the din of dominant narratives about Jackson, taking up the mature, nuanced artistic statement he offered on Dangerous in all its complexity. It is read here as a concept album, one that offers a compelling narrative arc of postmodern angst, love, lust, seduction, betrayal, damnation, and above all else racial politics, in ways heretofore unseen in his music. This record offered a Michael Jackson that was mystifying for a world that had accepted him as a child and as childlike and, hence, as safe; this Michael Jackson was, indeed, dangerous.

WITH AN INTERVIEW RECORDING OF STEVEN TYLER. The no-holds-barred memoir from the legendary Aerosmith frontman has arrived. Tales of debauchery, sex, drugs and rock n' roll are read for the audiobook. The Demon of Screamin' describes the highs and lows as lead singer of the biggest rock band in the world.WITH EXTRA INTERVIEW RECORDED FOOTAGE OF STEVEN TYLER this Prolific frontman, rock icon and sex symbol is a living legend. With his raw, sharp-edged vocals, musical versatility and unprecedented song writing skills, Tyler has, as lead singer of Aerosmith, sold millions of records and played sell-out concerts to as many as 450,000 people. Now, at last, he tells his own story, taking us on a wild rollercoaster ride through the bust-ups, binges, orgies and good old American excess in the jaw-droppingly honest, in-your-face way that only Tyler can.Following a fateful meeting with his 'mutant twin' Joe Perry in the summer of 1970, Aerosmith was formedaand the rest, as they say, is rock history. They released their first album in 1973, and by 1976 Aerosmith had gone from being nobodies to massive to off the radar, making history as a multi-platinum, chart-topping band.But with great success comes great excess. Nicknamed the Toxic Twins for their insatiable appetite for drugs, booze and women, Tyler and Perry got caught up in the glamour of self-destruction - smashing each other up with guitars, having seizures and passing out on stage. By 1980 it seemed that the band and its members were set to implode, but after successful stints in drug rehab, Aerosmith were back on track and better than ever.Although he may have given up his wicked, wicked ways, Tyler still enjoys talking about the bad old days. He has so many outrageous stories to tell, and he's gonna tell them all. All the uncensored, head-spinning tales of debauchery, sex, booze, transcendence and chemical dependence you will ever want to hear. As raucous, intoxicating and edgy as his music, this is the most outrageous rock n' roll autobiography of all time.

The first book about a much-loved and highly influential performer, songwriter, and producer.

The combination of new insights into Ligeti by people who knew him with new analytical approaches will make this a core publication not only for Ligeti scholars, but also for readers interested in post-war music history and in Hungarian culture.

Muse Piano Songbook features accurate transcriptions of twenty-two piano songs from multi-award winning indie rockers Muse, for piano and voice with guitar chord boxes.

Even More Rock Family Trees is the eagerly awaited new collection by rock's premier draughtsman and archivist Pete Frame. A legend in his own lunchtime, Frame is justly celebrated for his unique contributions to the literature of the music he loves.

This latest entry in Backbeat's bestselling handbook series starts by exploring the humble beginnings of blues guitar through the early decades of the 20th century, including profiles of such players as Robert Johnson, Charley Patton, and Son House. As the story moves into the '40s and '50s, and blues players migrate to major urban centers, author Adam St. James follows the evolution of the music at the hands of such electric blues kingpins as Muddy Waters, Howlin' Wolf, and B. B. King. Then it's the blues-rockers of the '60s, '70s, and '80s (including Eric Clapton, Jimmy Page, Jeff Beck, and Stevie Ray Vaughan) before the story comes up to date, with blues flame-keepers such as Keb Mo' or Duke Robillard, and some not-quite-traditionalists, such as Robben Ford or Derek Trucks. A comprehensive section for mastering electric and acoustic blues follows this historic overview. Starting from the very basics, it leads you into more advanced rhythm and lead techniques before examining four key styles: acoustic blues, classic electric blues, blues rock, and jazz blues. The many exercises in the book are supported by specially recorded audio tracks accessed online using the unique code inside each book. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

A study of the origins of the New York City punk scene, focusing on Television and their extraordinary debut record.

A study of a pivotal moment in Ween's development, as they became one of the world's most endearing, and enduring, cult bands.

Why have all human cultures - today and throughout history - made music? Why does music excite such rich emotion? And how do we make sense of musical sound? This title explores how the research in music psychology and brain science is piecing together the puzzle of how our minds understand and respond to music.

These never-before-published interviews with Jerry Garcia reveal his thoughts on religion, politics, his personal life and his creative process. Jerry on Jerry provides new insight into the beloved frontman of the Grateful Dead in time for the 50th Anniversary of the band.

Keyclub is a fun-packed series of tutors for beginner pianists, introducing young players to the rudiments of piano playing in an exciting and colourful way.

But once he joins Def Leppard, it's also an amazing underdog tale featuring a bunch of ordinary working-class lads who rose to mega-stardom, overcoming incredible obstacles - such as the drummer, Rick Allen, who lost an arm in a car crash, and the tragic death of guitarist Steve Clark, Phil's musical soul mate, who lost his fight with alcoholism.

The first part of the definitive three-volume biography of the Beatles

Fifteen tunes that reflect the breadth and diversity of jazz, from the great African-American tradition to the vibrant and multicultural sounds of jazz today. Introduces an approach that encourages playing by ear. Includes a CD featuring playalong rhythm-section tracks and full performances recorded by top jazz musicians.

Music has a universal and timeless potential to influence how we feel, yet, only recently, have researchers begun to explore and understand the positive effects that music can have on our wellbeing.This book brings together research from a number of disciplines to explore the relationship between music, health and wellbeing.

THE BROADWAY MUSICAL QUIZ BOOK

From one of this country's most important intellectuals comes a brilliant analysis of the blues tradition that examines the careers of three crucial black women blues singers through a feminist lens. Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture.The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith-published here in their entirety for the first time-Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.

'Looking back at The Libertines is like catching flashes of sunlight between buildings as you race by on a train. An old film reel where the spools are weathered and worn, leaving empty frames on the screen...'

Over the past four decades, Richard Taruskin's publications have redefined the field of Russian-music study. This volume gathers thirty-six essays on composers ranging from Bortnyansky in the eighteenth century to Tarnopolsky in the twenty-first, as well as all of the famous names in between. Some of these pieces, like the ones on Chaikovsky's alleged suicide and on the interpretation of Shostakovich's legacy, have won fame in their own right as decisive contributions to some of the most significant debates in contemporary musicology. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment, which has been particularly marked by the end of the cold war in Europe.