Photography

READERS LOVE NATURE: Abrams has had continuing success with books that present nature in fresh and intriguing ways.BIRDING IS HOT: News organizations report a surge in interest in birdwatching over the past year and a half.AUTHOR PLATFORM & CONNECTIONS: Laman has more than one million Instagram followers. He also has valuable connections in media: He has published more than 20 features for National Geographic, and he was the cinematographer for leading TV documentaries including Our Planet and Planet Earth II.

Discover the secrets to mastering street photography—from city streets to country roads and the alleyways in between—from an acclaimed international photographer, teacher, and bestselling author.Street photography offers treasured moments at almost every turn, if you know where to look. In Understanding Street Photography, readers will learn the techniques for capturing brilliant scenes, including images taken around the globe, from the vibrant streets of Varanasi, India, to the crowded walkways of the Charles Bridge in Prague, and so many other corners of the world. In this master class, street photography is defined as images that convey evidence of human interaction, whether that’s a striking cityscape, an image of rush-hour foot traffic, the remains of a half-eaten sandwich, or a pedestrian portrait. Along the way, Bryan Peterson shares 120 “mini diaries”: the story behind each image; the thought process; the arrangement of the composition; the psychology of the colors; and the lens, aperture, shutter speed, and ISO for readers to replicate his work. Professional and aspiring photographers alike will learn how to produce posed and candid compositions, capture light and movement, work with shadows, weather, and architecture, and hone your craft. Through lessons, exercises, and anecdotes, Peterson shares his best tips for capturing the unpredictable world of urban life in motion.

The first book to tell the story of the women of the Black Panther Party, containing contributions from over 50 members and over 100 photographs.

Princeton is only the fourth American college to celebrate a 275th anniversary. Founded in 1746 as the College of New Jersey, it has long Presbyterian roots. The scene of notable events in the American Revolution, it was a classical college for another century. Then, at its 1896 sesquicentennial, it became Princeton University and in succeeding decades developed into a world-leading research university. Long an institution of males of European descent, its gender and ethnic makeup has changed dramatically in the last half-century. Today''s Princeton combines a robust collegiate culture with a research profile near the top of international league tables--truly a rare combination.

Sidney, Australia

This first and only monograph of a rising star of the photography scene features work from major labels and magazines, outtakes from shoots, and newly commissioned texts by Edward Enninful and Ekow Eshun on the importance of authentic diversity behind and in front of the camera.From major portraits of the likes of Kendall Jenner, FKA Twigs, and Tyler, the Creator to cover shoots for leading magazines such as Time, Rolling Stone, and Garage, Campbell Addy has quickly become one of the most in-demand photographers of his generation. The book opens with a foreword by British Vogue's editor-in-chief, Edward Enninful, discussing the intersection of photography, race, beauty, and representation. This is followed by a broad selection of Addy's striking photographs, which range from prominent fashion and magazine commissions to candid portraiture. Quotes from leading Black figures including Naomi Campbell and Nadine Ijewere are woven between Addy's striking imagery, in which these trailblazing Black creatives reflect on the first time they felt seen in their industry. The book closes with a deeper exploration of Addy's more personal imagery and influences, paying tribute to the heritage of Black photographers through the work of Ajamu and James Barnor. In conversation with curator and writer Ekow Eshun, Addy balances his own experiences as a queer, Black photographer who left his Jehovah's Witness family home at sixteen with broader questions of identity, intimacy, and art which face many creatives today. Charged with energy, compassion and authenticity, this inaugural monograph signals a major talent whose influence and stature will only grow with time.

An inspiring selection of 100 images offering us hope and comfort, reminding us that we are not alone in our sorrow.

Porodina's early years were impacted by the brutalist buildings in Moscow and her mother who introduced her daughter to art. Stored in her unconscious, art became the extension and expression of "her self," implying that every single one of her photographs is a self-portrait. Art became-and still is-an inevitable, and inseparable, part of her. Porodina's academic upbringing in post-Soviet Russia and her interest in emotional behavior led her to study clinical psychology. This background and her striving towards greater understanding of herself, her environment, and others, informed her move to photography. It became a frame by which she is not limited-photography is just another medium that allows to stimulate the mind by showing, rather than by speaking, since the unconscious is not verbal either.ELIZAVETA PORODINA (*1987, Moscow) is a Russian artist, photographer, and psychologist known for her surrealist themes and use of symbolism. She lives and works in Germany. Her clients include Dior, Carolina Herrera, Jo Malone, Moncler, Vogue, among others.

A tribute to the groundbreaking drag elders who helped pave the way for the queens of todayDrag has officially transcended the underground and exploded into the mainstream. Queens have more media representation than everΓÇöin film, television, music, fashion, and advertising. TheyΓÇÖre everywhere. But how did we get here? It didnΓÇÖt simply happen through the popularity of one TV show, but over decades of perseverance, hard work, and intergenerational support within local drag communities. ItΓÇÖs time to honor the queens who paved the way for the new generation of drag and are still carrying out their work today. Legends of Drag is both a photo book and archive of living drag history. Presenting 80 portraits of these American drag elders alongside anecdotes from their lives, this book provides a queer historical framework with which to consider their work and its cultural contributions. Each portrait is styled with floral elements and has been shot in locations that hold special significance to the local drag community.

From English Bulldogs to Welsh Corgis, Golden Retrievers to Dachshunds, London is full of dogs and the people who love them. In Canines of London, dog photographer Bridget Davey gathers up close to 300 photos taken all around one of world's great dog-loving cities. Gaze upon delightful pups living large beside Buckingham Palace, the London Eye, Piccadilly Circus, and more. No London landmark is left unvisited, and no dog left unphotographed. The follow up to Weldon Owen's Canines of New York and Canines of San Francisco, this is the perfect gift for dog lovers everywhere. DIVERSE BREEDS AND ICONIC LOCATIONS: Includes over 300 utterly delightful photographs of dogs out and about in London, from Big Ben to the London Eye to the local pub, plus captions that give cute details of each dog's personality. Sure to delight dog lovers everywhere. PERFECT FOR ANGLOPHILES: London is a world-class city beloved by those both in and out of the UK. it's also the most popular tourist destination in the world, attracting over 30 million international visitors every year. LATEST IN A SUCCESSFUL SERIES: Weldon Owen's Canines of New York and Canines of San Francisco have pleased dog lovers across the world, and London is sure to be the most amazing dog destination yet. QUEEN ELIZABETH'S PLATINUM JUBILEE will be celebrated year long throughout the UK and Commonwealth in 2022 and will make for a good marketing strategy.

An extraordinary photographic exploration of North Korea, from a Westerner who lived in Pyongyang and explored the country beyond for nearly two years.

"Known best for her exuberant, often large-scale sculptural works that celebrate the abundance and complexity of female desire, imagination, and creativity, Niki de Saint Phalle viewed making art as a ritual and a performance--a process connecting life to art. This unconventional, illuminated biography, told in the first person in Saint Phalle's voice and her own hand, dilates large and small moments in Saint Phalle's remarkable life as an artist who pointedly challenged taboos. In a kind of collaboration with the artist, Nicole Rudick has assembled a gorgeous and detailed mosaic of Saint Phalle's visual and textual works from a trove of paintings, drawings, sketches, and writings, many rare or previously unpublished. These confessions, declarations, meditations, and musings trace the most intimate contours of Saint Phalle's life. In some works, Saint Phalle articulates herself with startling candor and self-examination; in others, she carefully and slowly unwinds her secrets as she herself wrestles with them. Throughout, her agency in telling her own story is paramount."--

Experience the fascinating life of a flamingo colony in Mexico up close, with flamingo expert and photographer Claudio Contreras Koob. Text in English, German and Spanish.

Aiming to re-evaluate the status and usage of the photographic image in historical surrealism, this book seeks to locate the use of photography by surrealists within the cultural discourses of that historical moment.

An up-close portrayal of late-'90s London's many music scenes, from the pages of Sleazenation and beyond In the late 1990s, as a graduate from art school, the British photographer Ewen Spencer began making pictures for Sleazenation, in particular for the infamous listing pages at the rear of the magazine that were called "Savoir Vivre." The images were made in both black and white and color, and were immensely candid and full of characters that seemed to be everywhere at that time. London was at the epicenter of a cultural boom in this period. Small clubs, parties and discos were plentiful in venues from North to South, and Spencer was in a minicab and night bus taking in all the scenes-from Northern Soul, Acid House, Jungle and Garage to Nu Metal, South London blackout clubs and more. Spencer captures an era filled with love, lust and messy authenticity.

It was in 1978, during my first summer of making portraits while using an 8x10 inch large format camera, that I found myself drawn to photographing redheads. I have often been asked; 'why redheads,' and I've often felt it was because in summer redheads seem to bloom in the sun more gloriously than the rest of us. But it also might have been my living far out on the tip of Cape Cod, surrounded by all the blue light of sea and sky, which made me pay more attention to the flamboyant qualities of redheads. Their hair and the exotic markings of their skin in sunlight became even rosier and more astonishing in that blue atmosphere. Redheads, like film itself, are transformed by sunlight. It seems natural to me now that I would have paid attention to this new phenomenon as it appeared within the larger subject of the Cape itself. After making more than 50 portraits that first month, in which at least 30 were of redheads, I understood that this was an impulse to be taken seriously. I ran an ad in the local paper, the Provincetown Advocate: "REMARKABLE PEOPLE! If you are a redhead or know someone who is, I'd like to make your portrait, call...." They began coming to my deck, bringing with them their courage and their shyness, their curiosity and their dreams, and they shared their stories of what it was like to be a redhead. They spoke of the painful remembrances of childhood, the violations of privacy and name calling-"Hey, red," "freckle face," "carrot head." They also shared with me their sense of personal victory at having overcome this early, unwanted celebrity, and how like giants or dwarfs or athletes they had finally grown into their specialness and by surviving had been ennobled by it. You could say that they had been baptized by their own fire, and that their shared experience had formed a "blood knot" among them. I had begun making portraits with the intention of photographing ordinary people. But redheads are both ordinary and special. Their slender slice of the genetic pie accounts for only 2 or 3 percent of the world's population. As different as redheads are in terms of nationality and religion, they often give the appearance of a strong familial connection. My way of making portraits is not by getting down on my hands and knees, nor climbing high on a ladder, nor getting into bed with a celebrity, but simply standing eye to eye with anyone has found their way to me, young or old. I need only one or two sheets of film and the patience to see it through. This new edition of 'Redheads' will have a number of new and previously unseen portraits.

Conceived in conjunction with an exhibition opening at The Museum of Modern Art in 2022, this publication focuses on an exceptional gift of 108 photographs by women artists from the collection of Helen Kornblum, distinguished member of MoMA's Committee onPhotography. The publication will highlight this significant acquisition, which contributes to the Museum's continuous effort to research and rethink twentieth century art history narratives by amplifying the presence of women artists. Like the exhibition, the book will be structured around thematic groupings, arranged chronologically, and each prefaced by a short text. Special attention will be devoted to topics such as: pictorialist portraiture, surrealist explorations, portraits of artists, the social documentary, advertising, photography and language, photojournalism, gender and the media, still life and domesticity, performance for the camera, and to the camera as a means of personal artistic expression.From modernists such as Claude Cahun and Yva to contemporary photographer Catherine Opie, many of the works in this volume elicit conversations about queer subjectivity. Themes related to colonial history and indigeneity are addressed in photographic projects by both Native artists such as Cara Romero and Hulleah Tsinhnahjinnie, and non-Native practitioners including Graciela Iturbide, Sharon Lockhart, Meridel Rubenstein, Tatiana Parcero, and Tracey Moffatt. Lorna Simpson and Carrie Mae Weems offer uniquely feminist African-diasporic viewpoints on the relationship of race and gender. Our Selves presents a series of new perspectives that rise to our current moment, addressing the urgent need for more intersectional conversations in the arts.

Rocky Nook s Pocket Guides are handy, ultra-portable, and quick to reference to help you get the shot when you re out and about.

Photographer and best-selling author Joe McNally shares stories and lessons from a life in photography.

Rocky Nook s Pocket Guides are handy, ultra-portable, and quick to reference to help you get the shot when you re out and about.

What is it to practice history in an age in which photographs exist? What is the impact of photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In Photographs and the Practice of History, Elizabeth Edwards proposes a new approach to historical thinking which explores these questions and redefines the practices at the heart of this discipline. Structured around key concepts in historical methodology which are recognisable to all undergraduates, the book shows that from the mid-19th century onward, photographs have influenced historical enquiry. Exposure to these mass-distributed cultural artefacts is enough to change our historical frameworks even when research is textually-based. Conceptualised as a series of 'sensibilities' rather than a methodology as such, it is intended as a companion to 'how to' approaches to visual research and visual sources. Photographs and the Practice of History not only builds on existing literature by leading scholars: it also offers a highly original approach to historiographical thinking that gives readers a foundation on which to build their own historical practices.