Poetry

In 1855 Walt Whitman published Leaves of Grass, the work which defined him as one of America's most influential voices, and which he added to throughout his life. A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation and what it meant to be an American. From the joyful 'Song of Myself' and 'I Sing the Body Electric' to the elegiac 'When Lilacs Last in the Dooryard Bloom'd', Whitman's art fuses oratory, journalism and song in a vivid celebration of humanity.

'The most truthful translation ever, conveying as many nuances and whispers as are possible from the original' The TimesAfter a century of civil strife in Rome and Italy, Virgil wrote the Aeneid to honour the emperor Augustus by praising his legendary ancestor Aeneas. As a patriotic epic imitating Homer, the Aeneid also set out to provide Rome with a literature equal to that of Greece. It tells of Aeneas, survivor of the sack of Troy, and of his seven-year journey: to Carthage, where he falls tragically in love with Queen Dido; then to the underworld,; and finally to Italy, where he founds Rome. It is a story of defeat and exile, of love and war, hailed by Tennyson as 'the stateliest measure ever moulded by the lips of man'.Translated with an Introduction by DAVID WEST

The Prophet is known and loved by readers all over the world. It is a wise and warm testimony to life, whose wisdom speaks to us all. This beautiful edition of Kahlil Gibran's timeless classic is illustrated with the author's own mystical drawings.

This entirely new edition brings together all of Philip Larkin's poems. In addition to those in Collected Poems (1988), and in the Early Poems and Juvenilia (2005), some unpublished pieces from Larkin's typescripts and workbooks are included, as well as verse (by turns scurrilous, satirical, affectionate, and sentimental) tucked away in his letters. The manuscript and printed sources have been scrutinized afresh; more detailed accounts than hitherto available of the sources of the text and of dates of composition are provided; and previous accounts of composition dates have been corrected. Variant wordings from Larkin's typescripts and the early printings are recorded.For the first time, the poems are given a comprehensive commentary. This draws critically upon, and substantially extends, the accumulated scholarship on Larkin, and covers closely relevant historical contexts, persons and places, allusions and echoes, and linguistic usage. Due prominence is given to the poet's comments on his poems, which often outline the circumstances that gave rise to a poem, or state what he was trying to achieve. Larkin played down his literariness, but his poetry enrichingly alludes to and echoes the writings of many others; Archie Burnett's commentary establishes him as a more complex and more literary poet than many readers have suspected.

This labyrinthine and extraordinary book, first published more than fifty years ago, was the outcome of Graves's vast reading and curious research into strange territories of folklore, mythology, religion and magic. Erudite and impassioned, it is a scholar-poet's quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explored the sources of his own inspiration and, as he believed, all true poetry.This new edition has been prepared by Grevel Lindop, who has written an illuminating introduction. The text of the book incorporates all Graves's final revisions, as well as his replies totwo of the original reviewers, and a long essay in which he describes the months of inspiration in which The White Goddess was written.

April is the cruellest month, breedingLilacs out of the dead land, mixingMemory and desire, stirringDull roots with spring rain . . .Published in 1922, The Waste Land was the most revolutionary poem of its time, offering a devastating vision of modern civilisation which has lost none of its power as we enter a new century.

As a poet, editor and essayist, T. S. Eliot was one of the defining figures of twentieth century poetry. This selection, which was made by Eliot himself, includes many of his most celebrated works, including The Love Song of J. Alfred Prufrock and The Waste Land.Other volumes in this series: Auden, Betjemen, Plath, Hughes and Yeats.

This book tells Laura''s story about the travels and experiences they had during one of the most tumultuous periods in American history. Her family was not wealthy. They were an ordinary family, ordinary folk whose desire was to farm, hunt game, and live a normal life. In search of a better life, they would move from one town to the other, and each time Laura''s experience would inspire her to create new content for a different book in her series.

Modernity has not managed to erase the restlessness that seems to be intrinsic to what it means to be human. T.S. Eliot's disillusionment with modern civilization is timelessly encapsulated in his famous 1922 poem, "The Waste Land." The book is laced with allusions, like, for example, some that reference the Grail legend and others informed by Fraser's "Golden Bough." Eliot would dedicate the piece to Ezra Pound.This is the original 1922 version of the book, as published by "Boni and Liveright." It includes the notes that Eliot himself compiled. This version is a facsimile which has been carefully reproduced for generations of reading pleasure.

Part of the bestselling Capstone Classics Series edited by Tom Butler-Bowdon, this collectible, hard-back edition of The Prophet provides an accessible and insightful introduction to this timeless spiritual workThe Prophet is an inspirational book of 26 poetry fables written in English by Lebanese-American poet and writer Kahlil Gibran. One of the most translated books in history, Gibran's famous work has been translated into over 100 different languages since its first publication in 1923. The book provides timeless spiritual wisdom on universally-shared aspects of life, such as giving, buying and selling, beauty and friendship, eating and drinking, crime and punishment and spirituality and religion.The book follows Almustafa, a man who has waited for twelve years for a ship to take him from the island of Orphalese back to his home. He has come to know the people on the island, who consider him a wise and insightful man. On the day Almustafa's ship finally arrives, he feels a deep sadness. The local elders ask him not to leave. Almustafa speaks of his philosophy of life and the truths he has discovered to the gathered crowd. His words have an almost magical quality to them. As he prepares to board his ship, it becomes clear that Almustafa's words do not refer to his journey home, but rather to the world he came from before he was born. The Prophet is a metaphor for the mystery of life and an exploration of the human condition. Inspirational and extremely readable for modern audiences, this classic text teaches us:* We should be glad of the experience of coming into the world* The separation you feel from other people is not real* True marriage gives both people space to develop their individuality* Enjoying your work is expressing your love for whoever benefits from it* Sorrow makes space for more joy in another season of lifeFeaturing an insightful introduction from the editor, The Prophet: The Spirituality Classic is a must-read book for anyone interested in exploring the undeniable truths of life we all share.

A fine collection of classic novels, short stories, poems, and essays from distinguished women writers.

A finalist for both the National Book Award and the National Book Critics Circle Award, Bright Dead Things examines the dangerous thrill of living in a world you must leave one day and the search to find something that is 'disorderly, and marvelous, and ours'.

"The people in these photographs had no walls up. They just accepted me and permitted me to take their photographs without any self-consciousness." -Roy DeCaravaThe Sweet Flypaper of Life is a "poem" about ordinary people, about teenagers around a jukebox, about children at an open fire hydrant, about riding the subway alone at night, about picket lines and artist work spaces. This renowned, life-affirming collaboration between artist Roy DeCarava and writer Langston Hughes honors in words and pictures what the authors saw, knew, and felt deeply about life in their city. Hughes's heart-warming description of Harlem in the late 1940s and early 1950s is seen through the eyes of one grandmother, Sister Mary Bradley. As she guides the reader through the lives of those around her, we imagine the babies born, families in struggle, children yet flourishing. We experience the sights and sounds of Harlem as seen through her learned and worldly eyes, expressed here through Hughes's poetic prose. As she states, "I done got my feet caught in the sweet flypaper of life and I'll be dogged if I want to get loose." DeCarava's photographs lay open a world of sense and feeling that begins with his perception and vision. The ruminations go beyond the limit of simple observation and contend with deeper meanings to reveal these individuals as subjects worthy of art. While Hughes states "We've had so many books about how bad life is, maybe it's time to have one showing how good it is," the photographs bring us back to this lively dialogue and a complex reality, to a resolution that stands with the optimism of the photographic medium and the certainty of DeCarava's artistic moment. In 1952 DeCarava became the first African American photographer to win a John Simon Guggenheim Memorial Fellowship. The one-year grant enabled DeCarava to focus full time on the photography he had been creating since the mid-1940s and to complete a project that would eventually result in The Sweet Flypaper of Life, a moving, photo-poetic work in the urban setting of Harlem. DeCarava compiled a set of images from which Hughes chose 141 and adeptly supplied a fictive narration, reflecting on life in that city-within-a-city. First published in 1955, the book, widely considered a classic of photographic visual literature, was reprinted by public demand several times. This fourth printing, the Heritage Edition, is the first authorized English-language edition since 1983 and includes an afterword by Sherry Turner DeCarava tracing the history and ongoing importance of this book.

"Mary Oliver would probably never admit to anything so grandiose as an effort to connect the conscious mind and the heart (that's what she says poetry can do), but that is exactly what she accomplishes in this stunning little handbook."?Los Angeles Times From the beloved and acclaimed poet, an ultimate guide to writing and understanding poetry. With passion and wit, Mary Oliver skillfully imparts expertise from her long, celebrated career as a disguised poet. She walks readers through exactly how a poem is built, from meter and rhyme, to form and diction, to sound and sense, drawing on poems by Robert Frost, Elizabeth Bishop, and others. This handbook is an invaluable glimpse into Oliver's prolific mind?a must-have for all poetry-lovers.

A group of pilgrims entertain each other with stories on their way to Canterbury in a poem whose characters, from the Knight to the Wife of Bath, are as vivid as their tales. This new edition of David Wright's acclaimed translation includes a new critical introduction and invaluable notes by a leading Chaucer scholar.

"My heart wandered through the world constantly seeking after my cure, but the sweet and delicious water of life had to break through the granite of my heart." When the words of Rumi enter your heart, something softens, breaks, and is subtly reborn. That he wrote the words seven hundred years ago in a medieval Persian world that bears little resemblance to ours makes their uncanny resonance to us today just that much more remarkable. Here is a treasury of daily wisdom from this most beloved of all the Sufi masters-both his prose and his ecstatic poetry-that you can use to start every day for a year, or that you can dip into for inspiration any time you need to break through the granite of your heart.

Reflects the wealth of forms, the rhetorical and tonal range, and the variousness of content in Auden's poetry. This volume also includes examples of Auden's mastery of light verse: the self-descriptive sequence of haiku called 'Profiles', the barbed wartime quatrains of 'Leap Before You Look', or 'Funeral Blues' itself.

Brings together Arthur Rimbaud's poetry, prose, and letters, including "The Drunken Boat," "The Orphans' New Year", "After the Flood", and "A Season in Hell". This book is divided into eight 'seasons' including - Childhood, The Open Road, War, The Tormented Heart, The Visionary, and The Damned Soul - that reflect the facets of Rimbaud's life.

The poetry and prose collected in Plainwater are a testament to the extraordinary imagination of Anne Carson, a writer described by Michael Ondaatje as "the most exciting poet writing in English today." Succinct and astonishingly beautiful, these pieces stretch the boundaries of language and literary form, while juxtaposing classical and modern traditions. Carson envisions a present-day interview with a seventh-century BC poet, and offers miniature lectures on topics as varied as orchids and Ovid. She imagines the muse of a fifteenth-century painter attending a phenomenology conference in Italy. She constructs verbal photographs of a series of mysterious towns, and takes us on a pilgrimage in pursuit of the elusive and intimate anthropology of water. Blending the rhythm and vivid metaphor of poetry with the discursive nature of the essay, the writings in Plainwater dazzle us with their invention and enlighten us with their erudition.

Born Jalal ad-Din Mohammed Balkhi in Persia early in the thirteenth century, the poet known as Rumi expressed the deepest feelings of the heart through his poetry.

This second posthumous collection from Charles Bukowski takes readers deep into the raw, wild vein of writing that extends from the early 70s to the 1990s.

Homer's Odyssey is one of the supreme masterpieces of Western literature. Of this much acclaimed translation by Robert Fitzgerald, George Steiner has written, 'Fitzgerald is taking his place beside Chapman and Pope in the unbroken lineage of English Homeric translations...it has an economy and soar of a poet'. Introduced by Seamus Heaney

FROM THE SUNDAY TIMES NO.1 BESTSELLING AUTHOR OF WILD HOPE'Powerful and comforting ... Donna's words could change your life.' DAWN FRENCH'Absolutely beautiful ... whenever I'm feeling lost, I reach for Donna Ashworth's words and feel found.' BRYONY GORDON'Some people have the Bible by their bed. Others a self-help manual. I have Donna Ashworth.' SUSANNAH CONSTANTINEIn this powerful new collection of wisdom and poetry, Donna Ashworth helps us to find strength and courage on the days we feel lost, to pick ourselves up when times are hard, to soothe fear and self-doubt when we are in their grip, and to let in more life and love as we brave our challenges.Every day we are bombarded by thoughts, feelings and information that make us feel anxious and afraid. We worry we don't measure up, we are scared of failure and we find it hard to be ourselves. We also feel powerless watching the world getting messier. Fear is a limiting factor for many of us and if we don't challenge it we can find ourselves keeping out more of the good stuff in life than the bad.With poems such as 'One Day You'll See', 'Growing in Moonlight', 'The Comparing' and 'Always There', bestselling author Donna Ashworth helps us to see that whatever we are facing, no matter how small or afraid we feel, we make the biggest difference in this world and to our own happiness when we are brave enough to show up as ourselves.

World Poetry Slam Champion Harry Baker's latest collection is his most ambitious yet. Following on from the success of Unashamed (Burning Eye, 2022), Harry Baker combines the insight of a mathematician and the vulnerability of the poet to find wonder in the little things that make life so precious. From a poem about wellies becoming an exploration of masculinity, a poem planning his own funeral inspiring thousands around the world to do the same, or a poem about his favourite German wheat-beer literally just being a poem about his favourite German wheat-beer, The combination of grief and joy in recent poems has led to Harry being described as the Barbenheimer of the poetry world (by himself, but he is hoping it catches on).

A sublime bedside poetry companion for every autumn evening.

In the highly anticipated follow-up to LVOE: Poems, Epigrams & Aphorisms, three-time New York Times bestselling author Atticus is inviting readers to take a deeper look behind the mask as he continues his powerful journey inward in search of love, peace, and acceptance.LVOE. Volume II is an expanded exploration of self-love, meditation, meaning, loss, and romance from the internet's favourite poet. Atticus implores his instantly recognizable lyrical style, gorgeous illustrations, and relatable themes to once again dazzle readers, inspiring them to look within. This collection will feature all-new poems, each paired with beautiful sketches that bring the words alive from the page.LVOE. Volume II looks forward, backward, but most importantly inward to the often confusing yet hopeful human experience.

Mahmoud Darwish was the Palestinian national poet. His poems display a brilliant acuity, a passion for and openness to the world and, above all, a deep and abiding humanity. This book presents a translation of two of Darwish's later works.