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The first architectural history of post-1967 Jerusalem, revealing the ways architectural modernism and Zionism have intertwined to imagine and reshape the city
In Fiery Cinema, Weihong Bao traces the permutations of cinema as an affective medium in China from the early through the mid-twentieth century, exploring its role in aesthetics, politics, and social institutions.
Looking beyond the usual culprits, Lifeblood finds a deeper and more complex explanation in everyday practices of oil consumption in American culture. Matthew T. Huber uses oil to retell American political history from the triumph of New Deal liberalism to the rise of the New Right, from oil's celebration as the lifeblood of postwar capitalism to increasing anxieties over oil addiction.
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