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Invites readers from a range of contexts to engage with Indigenous YA and convincingly demonstrates the centrality of Indigenous stories, Indigenous knowledge, and Indigenous people to the flourishing of everyone in every place.
This insightful collection of essays explores how identity is created and communicated through Indigenous film-, video-, and art-making; what role these practices play in contemporary cultural revitalization; and how indigenous creators revisit media pasts and resignify dominant discourses through their work.
A significant contribution to studies of the ways traditional forms of inscription support and amplify the oral tradition and in turn how both the method and aesthetic of inscription contribute to contemporary literary aesthetics and the politics of representation.
These recently transcribed and translated stories, first recorded in the 1940s by the Anishinaabe-speaking peoples of the Harbor Springs area of Michigan, draw on the legends, fables, trickster stories, parables, and humor of Anishinaabe culture. Reaching back to the distant past but also delving into more recent events, this book represents a broad swath of Anishinaabe history. Featuring side-by-side Anishinaabe/English translations.
Louise Erdrich is one of the most important, prolific, and widely read contemporary Indigenous writers. Here leading scholars analyse the three critically acclaimed recent novels - The Plague of Doves, The Round House, and LaRose - that make up what has become known as Erdrich's 'justice trilogy'.
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