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Youth and Identity Politics in South Africa shows how the youth identify variously as fans of jazz or hip-hop who espouse a none-racial national character, as athletes who feel a strong connection to traditional Zulu patriarchy, or in many other social and political subcultures.
Why the Porcupine Is Not a Bird is a comprehensive analysis of knowledge of animals among the Nage people of central Flores in Indonesia.
Since the 1990s, Mirzeler has travelled to East Africa to apprentice with storytellers. Remembering Nayeche and the Gray Bull Engiro is both an account of his experience listening to these storytellers and of how oral tradition continues to evolve in the modern world.
In An Irish Working Class, Marilyn Silverman explores the dynamics of capitalism, colonialism, and state formation through an examination of the political economy and culture of those who contributed their labour.
Invaders as Ancestors examines how the unique practices involved in Andean ancestor-worship first facilitated Spanish colonization and eventually undid the colonial project.
Grounded in an ethnography of everyday life in the city of Auckland, Being Maori in the City is an investigation of what being Maori means today.
Throughout a year of ethnographic fieldwork among the Lanoh hunter-gatherers of Peninsular Malaysia, Csilla Dallos studied and interpreted social change in order to better understand the processes leading to inequality and the concurrent development of social complexity within a community.
Milanese Encounters examines how the acts of looking, recognizing, and being seen reflect social relations and power structures in contemporary Milan.
The first book-length examination of North American Croatian diaspora responses to war and independence, We are Now a Nation highlights the contradictions and paradoxes of contemporary debates about identity, politics, and place.
This book tells the story of the Hakka Chinese in Sarawak, Malaysia, who were targeted as communists or communist sympathizers because of their Chinese ethnicity the 1960s and 1970s.
This important study continues the work of feminist ethnographies by such scholars as:Abu-Lughod, Behar, Cole, DiLeonardo, Ginsburg, and Lowenhaupt-Tsing. Avoiding the all too common pitfall of folkorization in rural studies, The Rock Where We Stand represents an innovative and experimental contribution to the field.
Kaleidoscopic Odessa provides a detailed account of how local conceptions of imperial cosmopolitanism shaped the city's identity in a newly formed state.
In Light of Africa explores how the idea of Africa as a real place, an imagined homeland, and a metaphor for Black identity is used in the cultural politics of the Brazilian state of Bahia.
DuBois traces how state repression and community militancy are remembered in a neighborhood in Buenos Aires and how the tangled and ambiguous legacies of the past continued to shape ordinary people's lives years after the collapse of the military regime.
This book follows the trajectory of life in an African island community as composed of ethnographic portraits taken over eleven visits across 40 years. It initiates an original genre of ethnographic history and describes people's ongoing ethical engagement with their past and future.
Explores the many facets of what constitutes a moral life within the Terapanthi Svetambar Jain ascetic community, and examines the central role ascetics play in upholding the Jain moral order.
Londono Sulkin explains a number of key issues and debates in Amazonian anthropology with great clarity, making People of Substance a useful text for students.
Using naturally occurring, extended transcripts of stories told by the group's hunters, Thomas McIlwraith explores how Iskut hunting culture and the memories that the Iskut share have been maintained orally.
This collection of case studies from around the world uses a new approach in historical anthropology, one that focuses on heterogeneity within cultures rather than coherence to explain how we commemorate certain events, while silencing others.
Using interdisciplinary methods, the author critically assesses the enormous amount of information that has been generated on Aboriginal mental health, deconstructs it, and through this exercise, provides guidance for a new vein of research.
Drawing on the work of a variety of other fields and disciplines - from the ancient Mediterranean to colonial Spain, and from anthropology to psychology - the author argues that colonialism in Africa needs to be understood through the medium of writing.
Looking Back, Moving Forward investigates the embodied practices, interpersonal relationships, and moments of self-reflection in the lives of members of the Church of Pentecost in Ghana and amongst the Ghanaian diaspora in London.
Comprising scholarship that is half Canadian and half British, this work offers important foundational perspectives into the thought worlds of cultures found within other cultures.
In a witty, evocative style accessible to both the specialist and non-specialist reader, Michael Lambek provides a significant contribution to writing on African systems of thought, local forms of religious and therapeutic practice, social accountability, and the place of explicit forms of knowledge in the analysis of non-western societies.
Based on more than a decade of ethnographic research, The Land of Weddings and Rain examines the components of the contemporary urban wedding in post-socialist Lithuania.
This book provides the first detailed, yet accessible, ethnographic case study looking at changes in LGBT activism in Singapore.
Transforming Indigeneity is an examination of the role that language revitalization efforts play in cultural politics in the small city of S o Gabriel da Cachoeira, located in the Brazilian Amazon.
Damien Stankiewicz's ground-breaking ethnographic study of the various contexts of media production work at ARTE (the newsroom, the editing studio, the screening room), reveals how ideas about French, German, and European culture coalesce and circulate at the channel.
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