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Frontmatter -- Preface -- Contents -- Introduction -- Chapter I. Ideology and literary representation -- Chapter II. Marxism and literary representation -- Chapter III. Ideological system and narrative process -- Chapter IV. Narrative and realist representation -- Conclusion -- Bibliography -- Index -- Backmatter
Frontmatter -- Acknowledgements -- Introduction -- Contents -- The Book of Jonah: A paradigm of the "hermeneutics of strangeness" -- Homer's portrayal of women: A discussion of Homeric narrative from an oralist point of view -- Orality, literacy, and the "readership" of the early Greek novel -- Memory, fictionality, and the issue of authority: Author-function and narrative performance in Beowulf, Chretien and Malory -- The marvellous North and authorial presence in the Icelandic fornaldarsaga -- Women and Old Norse narrative -- Repainting the lion: Chaucer's profeminist narratives -- The mimesis of change: Gascoigne's Aduentures of Master F.J. (1573) -- Archetextual palimpsests: Compositional structure and narrative self-awareness in L'Astrée and other French baroque novels -- Pragmatism and narratology: The case of Paradise Lost -- "That prerogative over human": Paradise Lost and the telling of divine history -- The beginnings of the epistolary novel in England -- Not being a historian: Women telling tales in restoration and eighteenth-century England -- "Worn by the friction of time": Oral tradition and the generation of the balladic narrative mode -- Contributors -- Author Index -- Subject Index
Frontmatter -- Preface -- Contents -- Graphie conventions -- 0. Introduction: Knots in a red thread -- 1. Encyclopedic outline of a cultural unit: «Aspirin» -- 2. The semiotic specificity of the pharmacologically nonspecific: the placebo problem -- 3. De attractionibus electivis: the modelling of /similarity/ in the history of pharmacy and chemistry -- 4. Reflections on pharmaceutical esthetics -- 5. Conclusion: Pharmacomorphism of the doctorpatient relationship and liturgy of the physic -- Notes -- References -- Index
Frontmatter -- TABLE DES MATIÈRES -- REMERCIEMENTS -- ABRÉVIATIONS ET SIGNES USUELS -- INTRODUCTION -- I. ANALYSE DE TEXTES -- II. STRUCTURES DU CONTENU EN PRÉSENCE -- III. LE NARRATEUR (ET LE LECTEUR) -- IV. LOGIQUE ET RÉCIT -- V. STYLISTIQUE ET RÉCIT -- CONCLUSION -- BIBLIOGRAPHIE -- Backmatter
Frontmatter -- AVERTISSEMENT -- TABLE -- 1. THÉORIE DU TEXTE: OBJET, PROJET, CLAUSES -- 2. POSITION DE NARRATION -- 3. FONCTIONNEMENT DE NARRATION -- 4. PRODUCTION DE NARRATION -- BIBLIOGRAPHIE -- INDEX -- Backmatter
Frontmatter -- TABLE DES MATIÈRES -- I. Introduction -- II. Aspects généraux structuraux du mythe dans le Rgveda -- III. La sémiologie de l'univers védique (loka -- IV. L'ASPECT RITUEL DE LA COSMOGONIE VÉDIQUE -- V. LA LOGIQUE ÉQUATIONNELLE DU MYTHE VÉDIQUE EN ACTION -- VI. Quelques éléments de l'univers védique en voie de réintégration: le mythe de référence transformé -- VII. Une dernière transformation du mythe de référence: le monde védique vu en son intégrité -- VIII. Pour un bilan -- BIBLIOGRAPHIE -- INDEX LOCORUM -- Backmatter
Frontmatter -- VORWORT -- INHALT -- 1. Probleme der Methodologie in der Literaturwissenschaft -- 2. Zur Frage der Einfachen Form und des Sprichworts - Forschungslage und methodologische Voraussetzungen -- 3. Die Tiefenstruktur und einige allgemeine grammatische Bestimmungen der Sprichwörter -- 4. Exkurs über semantische, pragmatische und stilistische Fragen -- 5. Rhetorische Transformationen -- 6. Der poetische Kode -- Bibliographie -- Liste der im Text angegebenen Regeln -- Namenregister -- Sachregister
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