Books in the Arab List series

The concluding novel in a trilogy that has become a landmark of Palestinian fiction. An Old Carriage with Curtains is the third and final book in a masterful trilogy of novels encompassing the history of the people of the Palestinian village of Zakariyya. The novels trace the wandering trajectories and inner lives of characters connected to this village across decades, as well as the vicissitudes of historical change and displacement in the land. Through the return of a middle-aged man to the site of an ancient monastery in the hills near Jericho that he once visited as a boy, the incredibly vivid and surprising stories of Hind, a stage actress and brilliant storyteller, the stories of tortuous routes of checkpoints and bureaucratic blockages, and decades of Occupation, Zaqtan creates a narrative of personal reckoning and reflection. The vectors of memory and historical reflection interweave in this dreamlike narrative, which delivers a singularly powerful depiction of subjective and collective experience in the face of devastating and sweeping historical change.

A chilling poetic reflection on the world we have inherited and the destructions that made it.   To confront time, pre-modern Arabic poems often began with the poet standing before the ruins, real and imagined, of a beloved‿s home. In Postcards from the Underworld, Sinan Antoon works in that tradition, observing the detritus of his home city, Baghdad, where he survived two wars‿the Iran-Iraq War of 1980 and the First Gulf War of 1991‿and which, after he left, he watched from afar being attacked during the US invasion in 2003.  Antoon‿s poems confront violence and force us not to look away as he traces death‿s haunting presence in the world. Nature offers consolation, and flowers and butterflies are the poet‿s interlocutors, but they too cannot escape ruin. Composed in Arabic and translated into English by the poet himself, Postcards from the Underworld is a searing meditation on the destruction of humans, habitats, and homes.

Introduces renowned Kurdish-Syrian writer Salim Barkat to an English audience for the first time, with translated selections from his most acclaimed works of poetry. Although Salim Barakat is one of the most renowned and respected contemporary writers in Arabic letters, he remains virtually unknown in the English-speaking world. This first collection of his poetry in English, representing every stage of his career, remedies that startling omission. Come, Take a Gentle Stab features selections from his most acclaimed works of poetry, including excerpts from his book-length poems, rendered into an English that captures the exultation of language for which he is famous.   A Kurdish-Syrian man, Barakat chose to write in Arabic, the language of cultural and political hegemony that has marginalized his people. Like Paul Celan, he mastered the language of the oppressor to such an extent that the course of the language itself has been compelled to bend to his will. Barakat pushes Arabic to a point just beyond its linguistic limits, stretching those limits. He resists coherence, but never destroys it, pulling back before the final blow. What results is a figurative abstraction of struggle, as alive as the struggle itself. And always beneath the surface of this roiling water one can glimpse the deep currents of ancient Kurdish culture.

An experimental novel that explores the complexity of Palestinian identity through extended metaphor and dark humor. On a plastic chair in a parking lot in Ramallah sits a young man writing a novel, reflecting on his life: working in a dance club on the Israeli side of the border, scratching his father‿s amputated leg, dreaming nightly of a haunting scorpion, witnessing the powerful aura of his mountain-lodging aunt. His work in progress is a meditation on absence, loss, and emptiness. He poses deep questions: What does it mean to exist? How can you confirm the existence of a place, a person, a limb? How do we engage with what is no longer there? Absurd at times, raw at others, The Dance of the Deep-Blue Scorpion explores Palestinian identity through Akram Musallam‿s extended metaphors in the hope of transcending the loss of territory and erasure of history.

Introduces renowned Kurdish-Syrian writer Salim Barkat to an English audience for the first time, with translated selections from his most acclaimed works of poetry.

The year is 1973. An Egyptian historian, Dr. Shukri, pursues a year of non-degree graduate studies in Moscow, the presumed heart of the socialist utopia. Through his eyes, the reader receives a guided tour of the sordid stagnation of Brezhnev-era Soviet life: intra-Soviet ethnic tensions; Russian retirees unable to afford a tin of meat; a trio of drunks splitting a bottle of vodka on the sidewalk; a Kirgiz roommate who brings his Russian girlfriend to live in his four-person dormitory room; black-marketeering Arab embassy officials; liberated but insecure Russian women; and Arab students' debates about the geographically distant October 1973 War. Shukri records all this in the same numbly factual style familiar to fans of Sonallah Ibrahim's That Smell, punctuating it with the only redeeming sources of beauty available: classical music LPs, newly acquired Russian vocabulary, achingly beautiful women, and strong Georgian tea. Based on Ibrahim's own experience studying at the All-Russian Institute of Cinematography in Moscow from 1971 to 1973, Ice offers a powerful exploration of Arab confusion, Soviet dysfunction, and the fragility of leftist revolutionary ideals.

Novel set primarily amid the political turmoil of 1990s Egypt.

Gathers 35 years of Iraqi poet Sala Al Hamdani's writings

On the eve of the 2007 general elections in Morocco, writer, academic, and former cabinet minister Abdallah Saaf embarked on several road trips across the country to get a feel for how its citizens had fared since Mohammed VI's accession to the throne. A Significant Year is the result: an analysis of the political and sociological state of the Moroccan nation on the eve of a crucial moment in the post-Hassan II period, but also a travelogue that describes what the author saw and heard on his travels in the summer months leading up to the epochal vote. Through Saaf's eyes, we see the country's varied regions and its urban and rural landscapes. We meet Moroccans from all walks of life, such as a waiter at a favorite cafe, a car-park attendant who recognizes the author from TV, and fellow writer and intellectual Abdelkabir Khatibi. Behind the deceptive simplicity of the book's narrative structure, readers will find in A Significant Year an insightful and nuanced portrayal of modern Morocco's many complexities.

This lyrical novel, set in the surroundings of the Palestinian village of Zakariyya, weaves a narrative rich in sensory detail yet troubled by the porousness of memory. It tells the story of the relationship between two figures of deep mythical resonance in the region, Yahya and Zakariyya, figures who live in the present but bear the names--and many traits--of two saints. Ranging from today into back to pre-1948 Palestine, the book presents both a compelling portrait of a contemporary village and a sacred geography that lies beyond and beneath the present state of the world. Sensual, rich in allusion, yet at the same time focused on the struggles of today, Where the Bird Disappeared is a powerful novel of both connection and dispossession.