Books in the Arden Early Modern Drama series

A major new edition of this much studied play offering the standard, depth and range associated with all Arden editions. The on-page commentary notes explain the language, referenes and staging issues posed by the text while the lengthy, illustrated introduction offers a lively overview of the play's historical, performance and critical contexts. This is the ideal edition for study and performance.

The Duchess of Malfi is a macabre, tragic play which is often performed and studied at A level and university. This Arden edition brings all the scholarship and comprehensive analysis associated with the series and offers readers a deeper understanding of the play than competing editions.

This Jacobean tragic-comedy by Philip Massinger explores the cultural conflict between Christian Europe and Muslim North Africa experienced when the two began to travel and trade in the early modern period.

On 19 April 1621, a woman named Elizabeth Sawyer was hanged at Tyburn. Her story was on the bookstalls within days and within weeks was adapted for the stage as The Witch of Edmonton. The devil stalks Edmonton in the shape of a large black dog and, just as Elizabeth Sawyer makes her demonic pact, the newlywed Frank Thorney enters into his own dark bargain in the shape of a second, bigamous marriage. Torn between sympathy for Sawyer and Thorney and a clear-eyed assessment of their crimes, the play was the finest and most nuanced treatment of witchcraft that the stage would see for centuries. Lucy Munro's introduction provides students and scholars with a detailed understanding of this complex play.

Play script, including biographical notes, textual details and information about the staging of the play.

On 19 April 1621, a woman named Elizabeth Sawyer was hanged at Tyburn. Her story was on the bookstalls within days and within weeks was adapted for the stage as The Witch of Edmonton. The devil stalks Edmonton in the shape of a large black dog and, just as Elizabeth Sawyer makes her demonic pact, the newlywed Frank Thorney enters into his own dark bargain in the shape of a second, bigamous marriage. Torn between sympathy for Sawyer and Thorney and a clear-eyed assessment of their crimes, the play was the finest and most nuanced treatment of witchcraft that the stage would see for centuries. Lucy Munro's introduction provides students and scholars with a detailed understanding of this complex play.

Revenge plays became the most durable and commercially successful type of drama on the Elizabethan stage. The Spanish Tragedy brings to life the intrigues of the Spanish court, dramatically contrasting romantic passion with violent deaths and clandestine politics.

The Tragedy of Mariam, the Fair Queen of Jewry is a Jacobean closet drama by Elizabeth Tanfield Cary. This edition includes the complete play script with notes beneath the text, as well as an extensive introduction, including biographical notes, textual details, and information about the staging of the play.

A Caroline-era stage play first published in 1652, this comedy is about four noble lovers who join the beggar community for a pastoral life of song and dance, only to find that that the reality of vagabond life is quite different from its literary depiction. This edition includes critical commentary as well as appendixes on the play's six songs, and on rogue literature and cant.

Ford's tragedy, originally printed in 1633, was the first major English play to take as its theme fulfilled incest between brother and sister.

A ground-breaking edition of an early modern play exploring of the clash of empire, religion and the battle for wealth and power.

John Webster's revenge tragedy, The White Devil is a story of adultery, corruption and murder and explores how a corrupt person can depict themselves as good or 'white'. In this revised edition students will find a wealth of information to support their studies and the very latest critical interpretations and stage history.

'A farce of terribly serious, even savage comic humour' T.S Eliot The Jew of Malta was arguably the most popular play of the Elizabethan era. This new student edition is freshly revised to incorporate the latest stage history and critical interpretations of the play.