Books in the Art series

Since the middle of the twentieth century, visual art has displayed an ambivalent nature, torn between the poles of abstractionism and realism, conceptual and postmodern, classicist nostalgia and the violent provocation for its own sake. This essay builds an argument in favour of tracing a different path for the visual arts, in which art might be able to recover its fullness and universality. The artists analysed in this volume ¿ starting with Hopper and Balthus, singled out as precursors ¿ appear to be following this shared path, even though they belong to different generations. Perhaps for this reason, they have for the most part been misunderstood by their contemporary critics. As in the art of Ancient Greece or the Middle Ages abstract tensions that intensify the visual field can bring simple figures to life, radically changing their meaning. This is a ¿sunniness¿ that is akin to the Claritas with which Medieval scholastics indicated the splendour of the works of their times. We¿ll have to undertake a tireless process of exercising our perceptions, if we wish to be able to grasp its basic aesthetic quality.

In the tradition of a decade of bi-annual gatherings of the International Symposium on Poetic Inquiry, this volume serves as the fifth refereed symposium anthology. Enchantments of Place celebrates poetry and poetic voices--theorizing and exploring poetic inquiry as an approach, methodology, and/or method for use in contemporary research practices.Poetic inquiry has increased in prominence as a legitimate means by which to collect, assimilate, analyze, and share the results of research across many disciplines. With this collection, we hope to continue to lay the groundwork internationally, for researchers, scholars, graduate students, and the larger community to take up poetic inquiry as a way to approach knowledge generation, learning, and sharing.This volume specifically works to draw attention to the ancient connection between poetry and the natural world with attention to broadening the ecological scope and impact of the work of poetic inquirers.

Romanticism, the brooding and intensely personal eighteenth-century art and literary movement, takes on a new lease of life in this carefully curated collection of interviews with contemporary artists from around the world. Informed by the writings of the renowned psychoanalyst James Hillman, Romanticism is reconsidered from a twenty-first-century perspective. Moving past a purely formal presentation of the artists' work, this text strives to uncover the deeper meaning and more pressing issues present in the artworks. All connected by a similar romantic vein, Emma Coccioli explores each artist's individual practice through a series of carefully selected questions. For Coccioli, discussions of 'the moral issue' and the future of the world also form an important part of the interviews. Coccioli acknowledges that artists have often been asked questions about their role in relation to the moral issue and the problem of nihilism. However, even if we have an inherent understanding of the concepts of good and evil, Coccioli argues that there is a need to re-examine the modern-day psyche as it tends to be apathetic and with little emotional resonance on our actions and behaviour. Global overpopulation, climate change, and the planet's limited resources are also meaningfully discussed in this collection of interviews. In questioning the artists, whose work addresses, even remotely, these topics, Coccioli encourages them to consider what they believe to be the greatest threats to today's global community and to suggest solutions that might be adopted by future generations.This original and engaging look at contemporary art practice presents a sophisticated discussion of some of the most pressing issues for modern-day society. The interdisciplinary nature of this book means that it will appeal to students, scholars, artists and to anyone with an interest in the fascinating world of contemporary art.

Artertainment is more than a novel aesthetic term reflecting the fact that art and entertainment have cross-pollinated each other throughout history. It is a creative strategy that purposely intertwines highbrow and lowbrow aesthetics in the name of reaching the connoisseurs and the masses.The Art of Artertainment sets out to unravel the jumble of aesthetic faultlines and prejudices found wherever we find artistic crossovers-which is to say, everywhere. Revisionist, iconoclastic, and artertaining in its own right, it provides a new framework for the analysis of American nobrow culture from the Colonial times to the digitally turbocharged present.

Art, Theory and Practice in the Anthropocene contributes to the growing literature on artistic responses to global climate change and its consequences. Designed to include multiple perspectives, it contains essays by thirteen art historians, art critics, curators, artists and educators, and offers different frameworks for talking about visual representation and the current environmental crisis. The anthology models a range of methodological approaches drawn from different disciplines, and contributes to an understanding of how artists and those writing about art construct narratives around the environment. The book is illustrated with examples of art by nearly thirty different contemporary artists.

Art, Theory and Practice in the Anthropocene contributes to the growing literature on artistic responses to global climate change and its consequences. Designed to include multiple perspectives, it contains essays by thirteen art historians, art critics, curators, artists and educators, and offers different frameworks for talking about visual representation and the current environmental crisis. The anthology models a range of methodological approaches drawn from different disciplines, and contributes to an understanding of how artists and those writing about art construct narratives around the environment. The book is illustrated with examples of art by nearly thirty different contemporary artists.

Romanticism, the brooding and intensely personal eighteenth-century art and literary movement, takes on a new lease of life in this carefully curated collection of interviews with contemporary artists from around the world. Informed by the writings of the renowned psychoanalyst James Hillman, Romanticism is reconsidered from a twenty-first-century perspective. Moving past a purely formal presentation of the artists' work, this text strives to uncover the deeper meaning and more pressing issues present in the artworks. All connected by a similar romantic vein, Emma Coccioli explores each artist's individual practice through a series of carefully selected questions. For Coccioli, discussions of 'the moral issue' and the future of the world also form an important part of the interviews. Coccioli acknowledges that artists have often been asked questions about their role in relation to the moral issue and the problem of nihilism. However, even if we have an inherent understanding of the concepts of good and evil, Coccioli argues that there is a need to re-examine the modern-day psyche as it tends to be apathetic and with little emotional resonance on our actions and behaviour. Global overpopulation, climate change, and the planet's limited resources are also meaningfully discussed in this collection of interviews. In questioning the artists, whose work addresses, even remotely, these topics, Coccioli encourages them to consider what they believe to be the greatest threats to today's global community and to suggest solutions that might be adopted by future generations.This original and engaging look at contemporary art practice presents a sophisticated discussion of some of the most pressing issues for modern-day society. The interdisciplinary nature of this book means that it will appeal to students, scholars, artists and to anyone with an interest in the fascinating world of contemporary art.

This book is a compilation of papers derived from talks, presented at TransCultural Exchange's 2018 International Conference on Opportunities in the Arts. The aim of these talks was to inspire artists to think across disciplines and cultures and to suggest other career models beyond the typical studio to gallery/museum model. Much of this content is unique in that it not only addresses the practical needs of artists but, even more importantly, it does so in the context of today's global reality. As artists have noted on post-Conference surveys, this information is "the missing link in the art world; the bridge between academic and real-world practice; between a local and international career in the arts." By making this information available long-after the Conference's end and to those who could not directly participate in the Conference, many more artists will have access to where to find jobs/residency programs and funding for their work, information on how to put together successful residency applications, how to market their work, and other professional development programming. In addition, they (and interested members of the public) will have access to the Conference talks on what leading artists are doing across disciplines, with new technologies, and in the public sphere.

This book is a compilation of papers derived from talks, presented at TransCultural Exchange's 2018 International Conference on Opportunities in the Arts. The aim of these talks was to inspire artists to think across disciplines and cultures and to suggest other career models beyond the typical studio to gallery/museum model. Much of this content is unique in that it not only addresses the practical needs of artists but, even more importantly, it does so in the context of today's global reality. As artists have noted on post-Conference surveys, this information is "the missing link in the art world; the bridge between academic and real-world practice; between a local and international career in the arts." By making this information available long-after the Conference's end and to those who could not directly participate in the Conference, many more artists will have access to where to find jobs/residency programs and funding for their work, information on how to put together successful residency applications, how to market their work, and other professional development programming. In addition, they (and interested members of the public) will have access to the Conference talks on what leading artists are doing across disciplines, with new technologies, and in the public sphere.

Prastare dęby znają wiele historii. Może nawet pamiętają, jak po ziemi biegali słowiańscy bogowie: Perun, dobry władca panujący na niebie i Weles, mściwy i groźny bóg podziemia. Poznaj niezwykły świat wierzeń naszych przodków! Daj ponieść się magicznym opowieściom z czasów, w których słowiańskie bóstwa rządziły ziemią i to one ustalały porządek rzeczy.Losy słowiańskich bóstw i zwykłych śmiertelników często nawzajem się przenikały, zwłaszcza gdy ludzie próbowali wykraść bogom ich tajemną wiedzę o świecie. Historie o stworzeniu świata i stare podania, tłumaczące różne zjawiska przyrody czasem was rozbawią, czasem wzruszą, a czasem wywołają gęsią skórkę. Wszystkie pozwolą poznać dzieciom wierzenia Słowian, w tym historie najważniejszych bóstw czy ideę axis mundi. Podróż po magicznym świecie pełnym tajemnic uprzyjemnią piękne ilustracje autorstwa Ewy-Poklewskiej-Koziełło. Tekst „Przygód słowiańskim bogów" napisała Melania Kapelusz. Książka zachwyci czytelników w każdym wieku!Seria „ART" to artystycznie wydane książki skierowane do najmłodszych. Każda z książek poświęcona jest jednemu, konkretnemu tematowi. Pobudza u dziecka kreatywne myślenie oraz rozwija naturalną ciekawość świata. Niezwykle piękne ilustracje towarzyszące tekstom są przyjemne dla oka zarówno dzieci, jak i dorosłych. Za ich sprawą seria ART kształtuje u najmłodszych tak ważne współcześnie poczucie estetyki.Niespodzianką dla młodych czytelników są dołączone do książek szablony z kształtami do odrysowania, plakaty z wyjątkowymi ilustracjami lub rozkładówki zawierające infografiki z kompendium wiedzy na dany temat. Melania Kapelusz. Jest autorką sześciu książek dla dzieci. Mieszka na wsi pod Krakowem, a z jej okien można śledzić leśne przygody. W ogrodzie często odwiedzają ją zające i sarny. Stworzyła osiemdziesiąt odcinków przygód tytułowego bohatera „Świerszczyka".