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Das Entwerfen von Architektur ist ein Prozess der Komposition: Schritt fur Schritt werden Elemente zu einem Ganzen zusammengesetzt. Die Regeln dieses Ablaufs sind die verschiedenen Kompositionsformen, die seit der klassischen Moderne mehr und mehr an Bedeutung verlieren. Auf anschauliche und narrative Weise entwickelt dieses Buch zentrale Aspekte des architektonischen Entwerfens wie Viereckigkeit und Senkrechte, additiver Grundriss und Fassade, Schichtung und Anhaufung, Verdichtung und Vervielfachung, Vereinfachung und Komplizierung, Durchdringung und Konfrontation, Tempi und Rhythmus. Zugleich ist es eine kritische und um personliche Erfahrungen angereicherte Auseinandersetzung mit der zeitgenossischen Architekturszene, die sich zwischen Gebaudedesign und Stadtarchitektur bewegt.
In the first half of the twentieth century, urban design under the influence of European dictatorships not only served to support the rulers in their own country, but also to gain the recognition of the democratic states. After the National Socialist regime came to power in Germany, urban design increasingly became the trump card in the competition amongst the large dictatorships in Europe - almost as in the time of absolutism. Irrespective of all conflicts and political orientations, there was an intense exchange of ideas amongst the states in Europe. It is therefore not adequate to make an assessment just from the point of view of the dictatorships. The overarching view helps to understand the special characteristics of each dictatorship and also disproves some simplified interpretations of their respective approaches to urban design. That is not just of historic interest; the discussion of the issue of dictatorships is always also an expression of our social condition, our commemorative culture, our ability to recognize old and new forms of dictatorship - even today! The book discusses the state of research into urban design under five dictatorships during the first half of the twentieth century, and presents new research results based on examples.
A collection of essays that offers insight into urban anthropological research, including its methods, recent developments, and novel approaches (the imagination of a city, urban scenes). It also includes a concluding chapter on street ethnography that presents a variety of ethnographic, experimental and artistic methods.
2016 New editorship Elisabeth Blum, Jesko Fezer, Günther Fischer, Angelika Schnell Not unjustly referred to as legendary, this series of books on the history and theory of architecture and urban development was founded in 1963 by Ulrich Conrads, who was joined by Peter Neitzke as a co-editor of the series in the early 1980s. Now numbering over 150 titles, it is the most comprehensive German-language book series covering these fields. Following the deaths of the two longtime editors Ulrich Conrads (2013) and Peter Neitzke (2015), a new editorial committee was formed to continue their work: Elisabeth Blum, Jesko Fezer, Günther Fischer and Angelika Schnell. As the future editors of this series, it is our aim to maintain the course set by our forerunners. The series has fulfilled its original aim of taking stock of the constructional and urban planning ideas and realizations formulated and achieved over the twentieth century in exemplary fashion. The Bauwelt Fundament series actually represents a history of ideas in the fields of planning and building that extends from the beginning of the twentieth century into the present. The second objective of the series, one that is anchored in its very name, will also continue to guide the development of the series, namely the publication of foundational thought – authoritative and fundamental – rather than passing opinion, of theses and polemics relating to the burning architectural and urban planning themes of the time. Penetrating complex interrelationships and probing them with systematic analysis provides the prerequisite for fruitful discourse and ongoing debate. As a forum for such discourses and contributions, the Bauwelt Fundamente series is maintaining its focus on the areas of architecture and urbanism, supplementing it with the always necessary historical investigation of important questions and texts and its extension into other cultural and social fields. A strong international orientation and the desire for more female authors are self-evident in such a context. The original graphic design approach taken by Helmut Lortz to the series is being maintained. As is fitting for a working library, Bauwelt Fundamente titles remain simply designed, using black and white for the logo, the images on the front and back, and the eleven-line summary of the volume’s contents. This is indicative of the broad orientation of Bauwelt Fundamente to all those interested in the cultural and social development that provides the context for the creation of cities, houses and other objects, which in turn create contexts for the world. "Architects, it is said – or hoped – have always been interested in the world beyond the boundaries of their profession." (1) (1) Peter Neitzke, manuscript of his address Nicht mit dem Rücken zur Gesellschaft (Not with one’s back to society) given to mark the fiftieth anniversary of Bauwelt Fundamente in Berlin, 2013.
2016 New editorship Elisabeth Blum, Jesko Fezer, Günther Fischer, Angelika Schnell Not unjustly referred to as legendary, this series of books on the history and theory of architecture and urban development was founded in 1963 by Ulrich Conrads, who was joined by Peter Neitzke as a co-editor of the series in the early 1980s. Now numbering over 150 titles, it is the most comprehensive German-language book series covering these fields. Following the deaths of the two longtime editors Ulrich Conrads (2013) and Peter Neitzke (2015), a new editorial committee was formed to continue their work: Elisabeth Blum, Jesko Fezer, Günther Fischer and Angelika Schnell. As the future editors of this series, it is our aim to maintain the course set by our forerunners. The series has fulfilled its original aim of taking stock of the constructional and urban planning ideas and realizations formulated and achieved over the twentieth century in exemplary fashion. The Bauwelt Fundament series actually represents a history of ideas in the fields of planning and building that extends from the beginning of the twentieth century into the present. The second objective of the series, one that is anchored in its very name, will also continue to guide the development of the series, namely the publication of foundational thought – authoritative and fundamental – rather than passing opinion, of theses and polemics relating to the burning architectural and urban planning themes of the time. Penetrating complex interrelationships and probing them with systematic analysis provides the prerequisite for fruitful discourse and ongoing debate. As a forum for such discourses and contributions, the Bauwelt Fundamente series is maintaining its focus on the areas of architecture and urbanism, supplementing it with the always necessary historical investigation of important questions and texts and its extension into other cultural and social fields. A strong international orientation and the desire for more female authors are self-evident in such a context. The original graphic design approach taken by Helmut Lortz to the series is being maintained. As is fitting for a working library, Bauwelt Fundamente titles remain simply designed, using black and white for the logo, the images on the front and back, and the eleven-line summary of the volume’s contents. This is indicative of the broad orientation of Bauwelt Fundamente to all those interested in the cultural and social development that provides the context for the creation of cities, houses and other objects, which in turn create contexts for the world. "Architects, it is said – or hoped – have always been interested in the world beyond the boundaries of their profession." (1) (1) Peter Neitzke, manuscript of his address Nicht mit dem Rücken zur Gesellschaft (Not with one’s back to society) given to mark the fiftieth anniversary of Bauwelt Fundamente in Berlin, 2013.
Die Pramisse der `postfundamentalistischen Uberlegung' ist es, dass es kein eindeutiges Fundament gibt, auf dem alles andere aufbaut: keinen Gott, keine stadtebauliche Wahrheit, keinen Markt und auch sonst kein Prinzip, das den Lauf der Dinge notwendig und vorhersagbar bestimmt. Nikolai Roskamm nimmt diesen Gedanken zum Ausgangspunkt fur einen Durchgang durch die Theorien von Marx, Lefebvre, Laclau, Foucault, Arendt, Derrida, Harvey u.a. Er zeigt die Unterschiede und Gemeinsamkeiten der dort zu findenden postfundamentalistischen Ansatze und untersucht, welche Rolle der Begriff der Stadt in diesem Denken jeweils spielt. Mit seiner These von der `unbesetzten Stadt' konfrontiert er eingefahrene Denkroutinen auf dem urbanistischen Feld und unternimmt den Versuch einer kritischen Stadttheorie.
2016 New editorship Elisabeth Blum, Jesko Fezer, Gunther Fischer, Angelika Schnell Not unjustly referred to as legendary, this series of books on the history and theory of architecture and urban development was founded in 1963 by Ulrich Conrads, who was joined by Peter Neitzke as a co-editor of the series in the early 1980s. Now numbering over 150 titles, it is the most comprehensive German-language book series covering these fields. Following the deaths of the two longtime editors Ulrich Conrads (2013) and Peter Neitzke (2015), a new editorial committee was formed to continue their work: Elisabeth Blum, Jesko Fezer, Gunther Fischer and Angelika Schnell. As the future editors of this series, it is our aim to maintain the course set by our forerunners. The series has fulfilled its original aim of taking stock of the constructional and urban planning ideas and realizations formulated and achieved over the twentieth century in exemplary fashion. The Bauwelt Fundament series actually represents a history of ideas in the fields of planning and building that extends from the beginning of the twentieth century into the present. The second objective of the series, one that is anchored in its very name, will also continue to guide the development of the series, namely the publication of foundational thought - authoritative and fundamental - rather than passing opinion, of theses and polemics relating to the burning architectural and urban planning themes of the time. Penetrating complex interrelationships and probing them with systematic analysis provides the prerequisite for fruitful discourse and ongoing debate. As a forum for such discourses and contributions, the Bauwelt Fundamente series is maintaining its focus on the areas of architecture and urbanism, supplementing it with the always necessary historicala investigation of important questions and texts and its extension into other cultural and social fields. A strong international orientation and the desire for more female authors are self-evident in such a context. The original graphic design approach taken by Helmut Lortz to the series is being maintained. As is fitting for a working library, Bauwelt Fundamente titles remain simply designed, using black and white for the logo, the images on the front and back, and the eleven-line summary of the volume's contents. This is indicative of the broad orientation of Bauwelt Fundamente to all those interested in the cultural and social development that provides the context for the creation of cities, houses and other objects, which in turn create contexts for the world. "e;Architects, it is said - or hoped - have always been interested in the world beyond the boundaries of their profession."e; (1) (1) Peter Neitzke, manuscript of his address Nicht mit dem Rucken zur Gesellschaft (Not with one's back to society) given to mark the fiftieth anniversary of Bauwelt Fundamente in Berlin, 2013.
Vom Druckknopf bis zur Weltraumsonde: So weit erstreckt sich der Horizont von Produktdesign. Weil Design viel mehr ist als "Linienführung", geht diese Designgeschichte der Frage nach, wie sich die Ansprüche an die Gestaltung von Gebrauchsobjekten im Lauf der Zeit fortentwickelt haben. Die Frage des Wozu (Gebrauchsfunktion) verbindet sich mit der des Woraus und Womit (Materialien und Produktionsmethode) und der nach dem Wie (der konstitutiven Beschaffenheit des Gegenstandes). Darunter zeigen sich die Schichten geschichtlich bedingter kultureller Mentalitäten, und darüber erhebt sich die Frage nach den Wirkungen von Design in Gesellschaft und Umwelt. Die Schwerkraft von Ideen entfaltet diese vieldimensionale Matrix in zwei Bänden und schafft so Orientierung im Kosmos der Ideen und ihrer gestalterischen Umsetzung.
2016 New editorship Elisabeth Blum, Jesko Fezer, Gunther Fischer, Angelika Schnell Not unjustly referred to as legendary, this series of books on the history and theory of architecture and urban development was founded in 1963 by Ulrich Conrads, who was joined by Peter Neitzke as a co-editor of the series in the early 1980s. Now numbering over 150 titles, it is the most comprehensive German-language book series covering these fields. Following the deaths of the two longtime editors Ulrich Conrads (2013) and Peter Neitzke (2015), a new editorial committee was formed to continue their work: Elisabeth Blum, Jesko Fezer, Gunther Fischer and Angelika Schnell. As the future editors of this series, it is our aim to maintain the course set by our forerunners. The series has fulfilled its original aim of taking stock of the constructional and urban planning ideas and realizations formulated and achieved over the twentieth century in exemplary fashion. The Bauwelt Fundament series actually represents a history of ideas in the fields of planning and building that extends from the beginning of the twentieth century into the present. The second objective of the series, one that is anchored in its very name, will also continue to guide the development of the series, namely the publication of foundational thought - authoritative and fundamental - rather than passing opinion, of theses and polemics relating to the burning architectural and urban planning themes of the time. Penetrating complex interrelationships and probing them with systematic analysis provides the prerequisite for fruitful discourse and ongoing debate. As a forum for such discourses and contributions, the Bauwelt Fundamente series is maintaining its focus on the areas of architecture and urbanism, supplementing it with the always necessary historicala investigation of important questions and texts and its extension into other cultural and social fields. A strong international orientation and the desire for more female authors are self-evident in such a context. The original graphic design approach taken by Helmut Lortz to the series is being maintained. As is fitting for a working library, Bauwelt Fundamente titles remain simply designed, using black and white for the logo, the images on the front and back, and the eleven-line summary of the volume's contents. This is indicative of the broad orientation of Bauwelt Fundamente to all those interested in the cultural and social development that provides the context for the creation of cities, houses and other objects, which in turn create contexts for the world. "e;Architects, it is said - or hoped - have always been interested in the world beyond the boundaries of their profession."e; (1) (1) Peter Neitzke, manuscript of his address Nicht mit dem Rucken zur Gesellschaft (Not with one's back to society) given to mark the fiftieth anniversary of Bauwelt Fundamente in Berlin, 2013.
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