Books in the Berkeley Series in British Studies series

"Drag: A British History is a foundational work. It tells a great story, commands a wide array of sources, and maintains a clear sense of purpose. Drag is of significant value to theater history, British studies, and cultural studies of drag."--Lisa Sigel, author of The People's Porn: A History of Handmade Pornography in America "This first sustained and systematic academic history of drag in nineteenth- and twentieth-century Britain is written with a clear sense of how drag's nature, reception, and regulation have changed radically over time and have varied dramatically depending on its content and location. A wonderful read that has the potential to make a real impact on academic and nonacademic audiences alike."--Matt Houlbrook, author of Queer London: Perils and Pleasures in the Sexual Metropolis, 1918-1957 "Erudite and extraordinarily informative, this is also an incredible read. Jacob Bloomfield's deep dive into the unfolding cavalcade of nineteenth- and twentieth-century theatrical history, queer cultures, evolving understandings of sex and gender, and the emotional thrill of masquerade is intellectually vibrant and compelling. A must-read for fans of drag, queer historians, and mavens of popular culture."--Michael Bronski, author of A Queer History of the United States "Bloomfield's meticulously researched and beautifully written history of British drag is a joy to read, illuminating, contextualizing, and, indeed, rescuing this neglected strand of sexual and cultural history."--Neil McKenna, author of Fanny and Stella: The Young Men Who Shocked Victorian England

"In this excellent book, Edwards reveals that there was no top-down project to financialize British society. Instead, there were people looking to sell financial products, drive up newspaper circulation, build new businesses or careers, experience the thrill of making a quick buck, or feel the satisfaction of taking control of one's finances. We see investment as fantasy, aspiration, lifestyle, and play, and as a component of new kinds of risk-taking masculinity and economically empowered womanhood. Are We Rich Yet? is the book that the field has been waiting for."--Helen McCarthy, Professor of Modern and Contemporary British History, University of Cambridge "Focusing on the revolution in consumer financial services, the emergence of mass investment culture in British society, and the cultivation of financial institutions that became 'too big to fail, ' Amy Edwards's fascinating study expertly guides readers through the history of how those changes were brought about--and with what effects--in a decade that was the fulcrum around which the country's post-1945 history moved."--Hugh Pemberton, Emeritus Professor of Contemporary British History, University of Bristol "How did the personal become financial? Are We Rich Yet? asks how investment became everyone's business in the 1980s and 1990s. Not just a Thatcherite policy, financialization was premised on much larger shifts in mass culture and the global economy. It promised riches for all, but Edwards forensically reveals how inequalities of power and wealth were cemented by powerful investors and trading institutions. This brilliant history of the present is urgently needed to understand how inequality and precarity became locked into the contemporary UK economy."--Lucy Delap, Professor in Modern British and Gender History, Deputy Chair of History, University of Cambridge "This is a fascinating account of how financial investment moved from the rarefied world of the boardroom and the stock exchange to something embedded in ordinary life in Britain. It is a major contribution to modern British history, showing how the emergence of popular investment in the late twentieth century was as much a social and cultural transformation as a political and economic one."--Stephen Brooke, York University, Toronto "This book ingeniously joins modern British history with Economic Humanities. By applying the methods of cultural history to the subject of neoliberalism, it delivers a rich, bottom-up, and entirely fresh account of one of the twentieth century's most significant transformations."--Guy Ortolano, Professor of History, New York University "Edwards brilliantly undercuts the myth of the sustained explosion of popular share ownership under Thatcher, demonstrating how large financial institutions tightened their hold over ordinary investors' access to markets, even as they constructed a narrative of the democratization of investing. As Edwards shows, the pivotal shift in the 1980s was, in fact, a reimagining of individual share ownership as not so much an investment, but a form of consumption and even a mode of entertainment."--Florence Sutcliffe-Braithwaite, Associate Professor of Twentieth-Century British History, University College London