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That the Blood Stay Pure traces the history and legacy of the commonwealth of Virginia's effort to maintain racial purity and its impact on the relations between African Americans and Native Americans. Arica L. Coleman tells the story of Virginia's racial purity campaign from the perspective of those who were disavowed or expelled from tribal communities due to their affiliation with people of African descent or because their physical attributes linked them to those of African ancestry. Coleman also explores the social consequences of the racial purity ethos for tribal communities that have refused to define Indian identity based on a denial of blackness. This rich interdisciplinary history, which includes contemporary case studies, addresses a neglected aspect of America's long struggle with race and identity.
Legacy of the Lash is a compelling social and cultural history of the Brazilian navy in the decades preceding and immediately following the 1888 abolition of slavery in Brazil. Focusing on non-elite, mostly black enlisted men and the oppressive labor regimes under which they struggled, the book is an examination of the four-day Revolta da Chibata (Revolt of the Lash) of November 1910, during which nearly half of Rio de Janeiro's enlisted men rebelled against the use of corporal punishment in the navy. These men seized four new, powerful warships, turned their guns on Rio de Janeiro, Brazil's capital city, and held its population hostage until the government abolished the use of the lash as a means of military discipline. Although the revolt succeeded, the men involved paid dearly for their actions. This event provides a clear lens through which to examine racial identity, violence, masculinity, citizenship, modernity, and the construction of the Brazilian nation.
Provides an overview of the Atlantic world, since the 15th century, by exploring the major themes that define the study of this region. This work discusses topics such as: Contact with Europeans in Africa and the Americas, the slave trade, gender and race in the early Atlantic world, independence movements in Africa, and Caribbean nationalism.
Examines the settlement of African Americans in Buffalo during the Great Migration. This book delineates values and institutions that the black migrant population brought with it from the South, as well as those that evolved as a result of their interaction with blacks native to the city and the city itself.
Focuses on the means employed by former slaves in Charleston, South Carolina to adjust to their status as a free people and to battle attempts by whites to regain control over them. This study attempts to understand how the freedmen saw themselves in the new order and to shed light on their hopes and aspirations.
A study of "receptive" communities in the West Indies, which focuses on two groups - English-speaking colonists, and the new African immigrants. This work describes the formation of these settlements, and offers details about the families of liberated Africans, the labour they performed, their religions, and the culture they brought with them.
have been incorporated by black leaders and institutions to create a unique style of black political behavior." -Choice
Elisa Joy White investigates the contemporary African Diaspora communities in Dublin, New Orleans, and Paris and their role in the interrogation of modernity and social progress. Beginning with an examination of Dublin's emergent African immigrant community, White shows how the community's negotiation of racism, immigration status, and xenophobia exemplifies the ways in which idealist representations of global societies are contradicted by the prevalence of racial, ethnic, and cultural conflicts within them. Through the consideration of three contemporaneous events-the deportations of Nigerians from Dublin, the aftermath of Hurricane Katrina in New Orleans, and the uprisings in the Paris suburbs-White reveals a shared quest for social progress in the face of stark retrogressive conditions.
Akinwumi Ogundiran is Chair of the Africana Studies Department and Professor of Africana Studies, Anthropology and History at the University of North Carolina, Charlotte. He is author of Archaeology and History in the Ilare District, 1200-1900.Toyin Falola is the Frances Higginbotham Nalle Centennial Professor in History at the University of Texas at Austin. He is editor (with Matt D. Childs) of The Yoruba Diaspora in the Atlantic World (IUP, 2005).
Focusing on everyday rituals, this book includes essays that look at spheres of social action and the places throughout the Atlantic world where African-descended communities have expressed their values, ideas, beliefs, and spirituality in material terms.
From 1918 into the early twenties, any African American who spoke out forcefully for their race-editors, union organizers, civil rights advocates, radical political activists, and Pan-Africanists - were likely to be investigated by a network of federal intelligence agencies. This title presents an account of this story.
Explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. This work focuses on Countze Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices.
Dealing with the archaeology of African life on both sides of the Atlantic, this title highlights the importance of archaeology in completing the historical records of the Atlantic world's Africans. It presents a picture of Africans' experiences during the era of the Atlantic slave trade.
A complete and comprehensive history of the Haitian Revolution.
Exploring slavery and slave society through the lives of black women.
The impact of slavery and freedom on black identity and cultural formation
The history of their literature predates Black women's acquisition of literacy. This book investigates the cultural bonds between African and African-American women as illustrated in the writings of contemporary authors of United States and West Africa.
What effect has the black literary imagination attempted to have on, in Toni Morrison's words, "e;a race of readers that understands itself to be 'universal' or race-free"e;? How has black literature challenged the notion that reading is a race-neutral act? Race and the Literary Encounter takes as its focus several modern and contemporary African American narratives that not only narrate scenes of reading but also attempt to intervene in them. The texts interrupt, manage, and manipulate, employing thematic, formal, and performative strategies in order to multiply meanings for multiple readers, teach new ways of reading, and enable the emergence of antiracist reading subjects. Analyzing works by James Weldon Johnson, Zora Neale Hurston, Ralph Ellison, Jamaica Kincaid, Percival Everett, Sapphire, and Toni Morrison, Lesley Larkin covers a century of African American literature in search of the concepts and strategies that black writers have developed in order to address and theorize a diverse audience, and outlines the special contributions modern and contemporary African American literature makes to the fields of reader ethics and antiracist literary pedagogy.
The Afro-Brazilian religion Candomble has long been recognised as a resource of African tradition, values, and identity among its adherents in Bahia, Brazil. This book describes development of religion as an "alternative" space in which subjugated and enslaved blacks were able to cultivate a sense of individual.
Examination of the development of racial attitudes and color prejudice.
African American suffragists in the suffrage movement.
Examines developments within several societies in the Greater Caribbean during the revolutionary period to illustrate the pervasive and multi-layered impact of the revolutions on the region. This book looks at several dimensions of the impact of the two interconnected revolutions on what may be called the Greater Caribbean.
A collection of plays by contemporary Black dramatists from Africa, the Caribbean, South America, Europe, and the United States. This anthology contains "Death and the King's Horseman", "Edufa", "Woza Albert!", "Pantomime", "Sortilege II: Zumbi Returns", "Slave Ship", "In Splendid Error", "Joe Turner's Come and Gone", and "The Talented Tenth".
As forerunners to the activist black theater of the 1950s and 1960s, these plays represent a critical stage in the development of black drama in the United States.
Race, Class, and the Civil Rights Movement is a unique sociohistorical analysis of the civil rights movement. In it Jack M. Bloom analyzes the interaction between the economy and political systems in the South, which led to racial stratification.
A revised and expanded edition of a groundbreaking text
Cuba's social and cultural complexity interpreted through the history and expressive power of rumba.
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