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From the 1750s to the 1830s, numerous British intellectuals, novelists, essayists, poets, playwrights, translators, and philosophers brooded about the merits and demerits of the French language. This book helps to illuminate the deep ambivalences that characterised British appraisals of the French language in the literature of the Romantic period.
In the first book-length study of this important poetic mode, Parisot suggests that graveyard poetry is closely connected to the mid-eighteenth-century aesthetic revision of poetics. Parisot reads poetry by Robert Blair.
Mapping the relationship between gender and space in eighteenth- and early nineteenth-century British literature, this collection explores new cartographies, both geographic and figurative. In addition to incisive analyses of specific works.
In the eighteenth century, literary representations of slavery encompassed a range of physical and metaphysical conditions beyond the transatlantic slave trade. Without eliding the real and important differences between slave systems operating in the Atlantic world.
Proposing that Samuel Richardson's novels were crucial for the construction of female individuality in the mid-eighteenth century, Latimer argues that Grandison must be recognised as Richardson's final word on his re-envisioning of the gendered self.
In her study of Christopher Smart's translating practice, Powell proposes a new approach to understanding the relationship between Smart's poetics and his practice. Addressing Smart's versions of Horace, Phaedrus and the Psalms alongside popular works such as Jubilate Agno.
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