Books in the Cambridge Critical Concepts series

"Whereas previous books have explored how literature depicts or discusses scientific concepts, this book argues that literature is a technology. It shows how literature has been shaped by technological revolutions, and reveals the essential work that literature has done in helping to uncover the consequences of new technologies"--

"Literature and Medicine considers how these two dynamic fields have crossed over, and how they have developed alongside one another. It covers a broad spectrum of conceptual, thematic, theoretical, and methodological approaches that provide a solid foundation for understanding a vibrant interdisciplinary field"--

Diaspora is an ancient term that gained broad new significance in the twentieth century. At its simplest, diaspora refers to the geographic dispersion of a people from a common originary space to other sites. It pulls together ideas of people, movement, memory, and home, but also troubles them. In this volume, established and newer scholars provide fresh explorations of diaspora for twenty-first century literary studies. The volume re-examines major diaspora origin stories, theorizes diaspora through its conceptual intimacies and entanglements, and analyzes literary and visual-cultural texts to reimagine the genres, genders, and genealogies of diaspora. Literary mappings move across Africa, the Americas, Middle East, Asia, Europe, and Pacific Islands, and through Atlantic, Pacific, Mediterranean, Gulf, and Indian waters. Chapters reflect on diaspora as a key concept for migration, postcolonial, global comparative race, environmental, gender, and queer studies. The volume is thus an accessible and provocative account of diaspora as a vital resource for literary studies in a bordered world.

War and Literary Studies poses two main questions: First, how has war shaped the field of literary studies? And second, when scholars today study the literature of war what are the key concepts in play? Seeking to complement the extant scholarship, this volume adopts a wider and more systematic approach as it directs our attention to the relation between warfare and literary studies as a field of knowledge. What are the key characteristics of the language of war? Of gender in war? Which questions are central to the way we engage with war and trauma or war and sensation? In which ways were prominent 20th century theories such as critical theory, French postwar theory, postcolonial theory shaped by war? How might emergent concepts such as 'revolution,' 'the anthropocene' or 'capitalism' inflect the study of war and literature?

Terrorism has long been part of our world, and the lack of understanding of its history is a major global policy problem. This book explores how literature has represented terrorism from the Renaissance to the present and what it can teach us about the issues we face.

Law and Literature presents an accessible new study of the many ways in which law and literature interact by providing a multi-focused history of literature's critical interest in ideas of law and justice, ranging from classical tragedy to comics, and from East Africa to Elizabethan England.

This book offers an overview of the origins of literary trauma theory, records the evolution of the concept of trauma in relation to literature, addresses the relevance of literary understandings of trauma, and examines how the concept has impacted the study of literature.

Time and Literature features twenty essays on topics from aesthetics and narratology to globalisation and queer temporalities, and showcases how time studies, often referred to as 'the temporal turn', cut across and illuminate research in every field of literature, as well as interdisciplinary approaches drawing upon history, philosophy, anthropology, and the natural sciences.