Books in the Cambridge Studies in Film series

A selection of essays written by a leading film critic, this 1996 volume examines theoretical aspects of film and television through penetrating analyses of a variety of genres and films.

This collection of newly translated essays by some of Russia's most astute commentators of film and culture illuminates important aspects of Russian film-making during the 1980s, and provides insight into the successes and shortcomings of Glasnost, as captured in film, for a Western audience.

Interpreting the Moving Image is a collection of essays by one of the most astute critics of cinema at work today. This volume provides a close analysis of major films of both the narrative and the avant-garde traditions.

This collection of newly translated essays by some of Russia's most astute commentators of film and culture illuminates important aspects of Russian film-making during the 1980s, and provides insight into the successes and shortcomings of Glasnost, as captured in film, for a Western audience.

This volume explores the subject of psychoanalysis and film in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre.

In Metaphor and Film, Trevor Whittock demonstrates that feature films are permeated by metaphors that were consciously introduced by directors. An examination of cinematic metaphor forces us to reconsider the nature of metaphor itself, and the ways by which such visual imagery can be recognised and understood, as well as interpreted.

Film and Phenomenology presents a new approach to the question of cinematic representation, which runs contrary to the course of contemporary film theory.Film and Phenomenology presents a new approach to the question of cinematic representation which runs contrary to the course of contemporary film theory.

Another Frank Capra offers a new interpretation of the great Hollywood director beyond the patriotic sentimentalist or the cynical opportunist that he has been taken for. Often cast as a cinematic simpleton or primitive, Capra's exploitation of the stylistic and narrative resources of cinema was, in fact, extremely self-conscious and adventurous in ways typical of artistic modernism.

Documentary Film Classics offers close readings on a number of major films, such as Nanook of the North, Land Without Bread, Night and Fog, Chronicle of a Summer and Don't Look Back. Spanning the history of the documentary film tradition, William Rothman analyses the philosophical and historical issues and themes implicit in these works.

Darius Cooper's study of Ray is the first to examine his rich and varied work from a social and historical perspective. The most comprehensive treatment of Ray's work, The Cinema of Satyajit Ray makes accessible the oeuvre of one of the most prolific and creative filmmakers of the twentieth century.

This volume explores the subject of psychoanalysis and film in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre.

The 'I' of the Camera has become a classic in the literature of film. William Rothman challenges readers to think about film in adventurous ways that are more open to movies and our experience of them. This second edition includes fourteen new essays and a new foreword.

Renoir on Renoir is a 1990 collection of interviews and essays by legendary filmmaker Jean Renoir. They are an engaging account of Renoir's deep commitment to his chosen profession and will be appreciated by students, critics and anyone who would like to know more about the masterpieces of French cinema.

Inside Soviet Film Satire is a lively collection of sixteen original essays by Soviet, American and Canadian scholars and film commentators.

In this study, Vera Dika explores works of art and film that resist the pull of the past. Her study positions avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment.

This is a collection of essays by the film-maker and critic Eric Rohmer which were originally written for the French film review Cahiers du Cinema between 1948-1979. Rohmer writes in depth on the issues most fundamental to film and also includes a personal defence of his films.

This unique study examines the importance of melodrama in the film traditions of Japan, India, China, Indonesia, the Philippines and Australia.

John Huston's Filmmaking offers an analysis of the life and work of one of the greatest American independent filmmakers. In this study, Lesley Brill shows Huston's films to be far more than formulaic adventures of masculine failure, arguing instead that they demonstrate the close connection between humanity, the natural world, and divinity.

The most important and internationally influential development in British cinema was the documentary film movement led by John Grierson in the 1930s and 1940s. Paul Swann's study is a political and social history of this movement, which was characterized by actuality-based films made outside the commercial industry.

The Gorgon's Gaze is an interdisciplinary study of recurrent themes in German cinema as it has developed since the early twentieth century. Coates explores the nature of expressionism and its persistence in the styles of such modern masters of Film noir as Orson Welles and Ingmar Bergman.

This unique study examines the importance of melodrama in the film traditions of Japan, India, China, Indonesia, the Philippines and Australia.

Projecting Illusion offers a systematic analysis of the impression of reality in the cinema and the pleasure it gives to the film spectator. It also touches on basic issues in current discourses of philosophy, art history and feminist theory.

Film at the Intersection of High and Mass Culture analyses the contradictions and interaction between high and low art, with particular reference to Hollywood and European cinema. Written in the essayistic speculative tradition of Walter Benjamin and Thedor Adorno, this study also includes analyses of several key films of the 1980s.