Books in the Cambridge Studies in Palaeography and Codicology series

Eleven linked studies interpret the evidence of Bible manuscripts in their cultural context from late antiquity to the thirteenth century. Together these essays provide an authoritative treatment of themes of central importance for the history and culture of the early Middle Ages.

The definitive study of humanist script in England before 1509, this book also provides an important re-interpretation of the success of Renaissance humanism. It introduces a range of Dutch, German, English and Scottish scribes in demonstrating humanism's cosmopolitanism.

A comprehensive examination of the first appearance of detailed musical notations in early medieval Europe. This magisterial study by leading scholar Susan Rankin dates the first appearance of such notations much earlier than has previously been assumed, delivering a crucial new foundational model for the understanding of later Western notations.

This book gathers the best work on manuscript books in England made during this crucial but neglected period. A wide-ranging and innovative series of essays, this volume is a major contribution to the history of the book from the first commercial guilds to the advent of print.

This book gathers the best work on manuscript books in England made during this crucial but neglected period. A wide-ranging and innovative series of essays, this volume is a major contribution to the history of the book from the first commercial guilds to the advent of print.

This is a study of the role of female scribes at three different religious communities in Bavaria in the twelfth century. It shows how the women's work - in extending the increased intellectual activity of the scriptoria - supported the revival of the monastic reform movements of that period.

The Bobbio Missal, written around the end of the seventh and beginning of the eighth century, is one of the most intriguing liturgical manuscripts to have been produced in Merovingian Francia. This book draws together a wide range of specialist knowledge to provide a major re-evaluation of this complex manuscript.

This is the first detailed study of the Trier Gospels, an important early medieval manuscript. Through an original analysis of the manuscript and its creation, Netzer sheds new light on early medieval book production, and on the cross-cultural influences among the Insular, Continental and Mediterranean worlds in the eighth century.

This is a fascinating study of the making of the Harley Psalter, an illustrated manuscript which was produced at Christ Church, Canterbury over a period of about 100 years, from c. 1020 to c. 1130.

This book, first published in 2003, is a detailed survey of book scripts used in western and central Europe from c.1100 to c.1530. Illustrated with hundreds of examples of the hands discussed, this book is an essential guide for those studying the manuscripts of the period and an invaluable reference work for scholars.

In this book, Michael Gorman has selected and translated seven of Bernhard Bischoff's classic essays on aspects of eighth- and ninth-century culture. They include an investigation of the role of books in the transmission of culture from the sixth to the ninth century, and studies of the court libraries of Charlemagne and Louis the Pious.

Marica S. Tacconi offers the first comprehensive investigation of the sixty-five extant liturgical manuscripts produced between 1150 and 1526 for both Santa Maria del Fiore and its predecessor, the early cathedral of Santa Reparata. This fascinating study provides many new insights into late medieval and Renaissance Florentine ritual and culture.

Learning to read in medieval Germany meant learning to read and understand Latin as well as German. The manuscripts of the tenth-century scholar and teacher Notker Labeo display how the medieval pedagogic method combined Latin and vernacular literacy. This study has much to contribute to our knowledge of medieval reading.

The Bobbio Missal, written around the end of the seventh and beginning of the eighth century, is one of the most intriguing liturgical manuscripts to have been produced in Merovingian Francia. This book draws together a wide range of specialist knowledge to provide a major re-evaluation of this complex manuscript.

Vision and Meaning in Ninth-Century Byzantium deals with how such visual communication worked and examines the types of messages that pictures could convey in the aftermath of Iconoclasm.

This book reconstructs and studies the music, liturgy, and illustrations of a twelfth-century manuscript from the Austrian monastery in Lambach. The manuscript was taken apart in the fifteenth century and the pages are here brought together photographically for the first time since the original manuscript was dismantled five centuries ago.

This study uses an interdisciplinary approach towards the surviving manuscript copies of Giles of Rome's De regimine principum to show how people of the later Middle Ages read the text and appropriated it for both lay and clerical purposes.