Books in the Cambridge Studies in Russian Literature series

Diane Thompson's study focuses on the meaning and poetic function of memory in Dostoevsky's The Brothers Karamazov, and seeks to show how Dostoevsky used cultural memory to create a synthesis between his Christian ideal and art. Memory is considered not only as a theme or subject, but also as a principle of artistic composition.

Pamela Davidson explores Ivanov's poetic method, relating his art to his central beliefs and considering the ways in which he attempted to embody these ideas in his own life. She focuses on Ivanov's interpretation of Dante and in so doing, opens up fresh perspectives on the wider question of Russia's relation to the Western cultural tradition and Catholicism.

This comprehensive examination of Turgenev's fiction challenges traditional assumptions of both Eastern and Western critics. It focuses principally on the complexity and subtlety of Turgenev's portrayal of the psychology of his characters. The book is designed to be accessible not only to Slavists, but to other literary scholars.

Dr Scatton explores the critical and political reception of a complex artist in a society where the purpose of art was to serve the state. Her book sheds new light on questions of literary politics in totalitarian societies, as well as bringing English-speaking readers a taste of a most original writer.

Originally published in 1981, this book is an examination of the politics of literary publishing in the Soviet Union, and in particular during the period after Stalin's death, in the 1950s. Dr Frankel focuses on the leading literary journal of the 1950s, Novy Mir, between whose covers so much important literary work first appeared.

This1998 book is a study of the Russian reception of English literature from Romanticism to aestheticism focuses particularly on the reception by Russian poets of Shelley, Ruskin, Pater, Frazer and Wilde, which gave new impetus to the Russian imagination at the turn of the nineteenth-twentieth century.

Professor Freeborn's book is an attempt to identify and define the evolution of a particular kind of novel in Russian and Soviet literature: the revolutionary novel. This genre is a uniquely Russian phenomenon and one that is of central importance in Russian literature.

This book examines the influence of Christianity on the thought and work of the great Russian theorist Mikhael Bakhtin. This is the first full-length work to approach Bakhtin from a religious perspective, and introduces the reader to a vitally important but hitherto ignored aspect of his work.

Khlebnikov is becoming recognized as one of the major Russian poets of the twentieth century, having for years been dismissed as a purveyor of unintelligible verbal trickery. This book provides a broad survey of his work. Dr Cooke's aim is to be both informative and interpretative by mapping out the contours of Khlebnikov's still largely uncharted poetic world.

This book is an original and detailed attempt to re-examine Dostoyevsky the artist.

Originally published in 1998, this was the first work to examine the extraordinary history of literary journals in imperial Russia. Essays by leading scholars analyse the social forces shaping literary journals, the major journals and journalists of the period, and the factors that contributed to their success.

The first book to provide a synthesising study of Russian writing about the Caucasus during the nineteenth-century age of empire-building.

This is the first full-length study of the huge cultural impact of fortune-telling in Russia from the eighteenth century to the present. It discusses the links between urban fortune-telling and traditional oral culture the particular role of women, and discusses why fortune-telling is still a powerful force in Russian.

Karamzin was the foremost Russian representative of the late eighteenth-century Sentimentalist literature. In this study, Gitta Hammarberg makes use of advances in literary theory (particularly Bakhtin-school theory) in order to develop a theory of Sentimentalist literature. She applies this to Karamzin's prose fiction, paying particular attention to the role of the author-reader.

This is a 1992 study in English of Andrei Platonov, a writer who belongs to a Russian philosophical tradition that includes Solov'ev, Bakhtin and Pasternak. The book investigates the interrelation of themes, imagery and the use of language in his prose.