Books in the Cambridge Studies in the History of Art series

This 1986 bibliography provides a source for reviews of the state-sponsored Parisian exhibitions of painting and sculpture held during the Second Empire, 1852-70. The catalogued essays and articles are of fundamental importance in establishing a picture of twentieth-century reactions to art in mid-eighteenth-century France.

By incorporating and correcting the relevant material from Tourneux and adding new references gathered from unpublished nineteenth-century manuscript bibliographies and a broad sample of the periodical press, this work offers a substantial increase in the volume and range of criticism available for analysis by cultural and literary historians.

The book is concerned with a subject which has not been treated before - the history over four centuries of Islamic artistic traditions and European ideas of Islam as they affected the visual arts of the west and particularly the English-speaking peoples.

This bibliography provides a source for reviews of the state-sponsored Parisian exhibitions of painting and sculpture (Salons) held during the period 1699-1827. It includes an extensive list of references, each presented in a standard format with titles, dates and ordering codes based upon the holdings of the Bibliotheque nationale in Paris.

This substantial 1993 collection of the letters of Impressionist painter Camille Pissarro, published in the original French with extensive notes and illustrations, offers a unique source for anyone interested in English 'aesthetic' life towards the end of the nineteenth century.

This bibliography provides a source for reviews of the state-sponsored Parisian exhibitions of painting and sculpture (Salons) held during the period 1699-1827. It includes an extensive list of references, each presented in a standard format with titles, dates and ordering codes based upon the holdings of the Bibliotheque nationale in Paris.

By incorporating and correcting the relevant material from Tourneux and adding new references gathered from unpublished nineteenth-century manuscript bibliographies and a broad sample of the periodical press, this work offers a substantial increase in the volume and range of criticism available for analysis by cultural and literary historians.