Books in the Cambridge Studies in Twenty-First-Century Literature and Culture series

This book assess the transformative arc between medieval books and today's e-books. It will appeal to graduates and researchers working in the 21st century literary studies generally, in the relationships between the book and the digital age specifically.

This book will engage readers interested in Irish fiction dealing with the United States, Asia, the Global South and Europe. A conceptually innovative study of Irish expatriate novels that situates Irish writing in terms of the country's changing place in an international order in a time of turbulent global change.

This book discusses contemporary British poetry in the context of metamodernism. It asks if the concept of metamodernist poetry helps to recalibrate the opposition between mainstream and innovative poetry, and whether a new generation of British poets can be accurately defined as metamodernist.

This book is for scholars of contemporary literature. It argues for a renaissance of British literary talent in the twenty-first century, introducing readers to several new writers. The analysis of utopian anticipation will also be of interest to academics working in utopian studies, critical theory and the philosophy of time.

Contemporary Feminist Life-Writing is the first volume to identify and analyse the 'new audacity' of recent feminist writings from life. Characterised by boldness in both style and content, willingness to explore difficult and disturbing experiences, the refusal of victimhood, and a lack of respect for traditional genre boundaries, new audacity writing takes risks with its author's and others' reputations, and even, on occasion, with the law. This book offers an examination and critical assessment of new audacity in works by Katherine Angel, Alison Bechdel, Marie Calloway, Virginie Despentes, Tracey Emin, Sheila Heti, Juliet Jacques, Chris Krauss, Jana Leo, Maggie Nelson, Vanessa Place, Paul Preciado, and Kate Zambreno. It analyses how they write about women's self-authorship, trans experiences, struggles with mental illness, sexual violence and rape, and the desire for sexual submission. It engages with recent feminist and gender scholarship, providing discussions of vulnerability, victimhood, authenticity, trauma, and affect.

This book shows how interrelated shifts in the global financial system and the global publishing industry have transformed the production of contemporary fiction in Britain and the USA. It will appeal to graduate students and researchers working in twenty-first-century literary studies, especially scholars of contemporary British and American fiction.