Books in the Chicago Studies in Ethnomusicology CSE series

When we think of composers like Mozart or Beethoven, we usually envision an isolated artist separate from the orchestra. For most of Japan's musical history, however, no such role existed - composition and performance were deeply intertwined. This book offers fresh insights not just into Japanese music but Japanese modernity at large.

In West Java, Indonesia, all it takes is a woman's voice and a drumbeat to make a man get up and dance. The author draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing that Sundanese men use dance to explore and enact contradictions in their gender identities.

The contributors explore the intimate relationships between music & gender, across the wide range of cultures around the Mediterranean. Essays examine musical behaviour as representation, assertion, and transgression of gender identities.

Examines art music by Haitian and African American composers who were inspired by Haiti's history as a nation created by slave revolt. This title also highlights the contributions of many Haitian and African American composers who wrote music that brought rhythms and melodies of the Vodou ceremony to local and international audiences.

Offer an account of the music of Africa. This title draws on the author's extensive travels and three decades of study in many parts of the continent to compare and contrast a wealth of musical traditions from a range of cultures. It also features a selection of photographs and is accompanied by a compact disc of the author's own recordings.

A book on the critical role of music in African ritual which focuses on the Brekete/Gorovodu religion of the Ewe people. It analyzes their practices through a historical and ethnographic study of one of the dominant ritual sites on the southern coast of Ghana: a medicine shrine whose origins lie in the northern region of the country.

In 1978, four musicians crowded into a cramped basement theater in downtown Seoul, where they, for the first time, brought the rural percussive art of p'ungmul to a burgeoning urban audience. This title traces this reinvention through the rise of the Korean supergroup.

Presents the voices of three musicians - queer nightclub star Zeki Muren, arabesk originator Orhan Gencebay, and pop diva Sezen Aksu - who collectively have dominated mass media in Turkey since the early 1950s. Using these three singers as a lens, the author examines Turkey's repressive politics and civil violence as well as its public life.