Books in the Classical Presences series

A Cockney Catullus traces the reception history of the Roman poet Catullus in Romantic-era Britain, identifying the influence of his poetry in the work of numerous Romantic-era literary and political figures, including Byron, Keats, Wordsworth, Coleridge, Hunt, Canning, Brougham, and Gifford.

The Senecan Aesthetic surveys the multifarious ways in which Senecan tragedy has been staged, from the Renaissance up to the present day, and restores Seneca to a canonical position among the playwrights of antiquity, recognizing him as one of the most important, most revered, and most reviled.

Greece on Air offers the first substantial discussion of the fascinating history of creative and public engagements with ancient Greek literature, history, and thought via the BBC Radio, from the birth of domestic broadcasting in the 1920s up to the 1960s.

Son of Classics and Comics presents thirteen original studies of representations of the ancient world in the medium of comics. Building on the foundation established by their groundbreaking Classics and Comics (OUP, 2011), Kovacs and Marshall have gathered a wide range of studies with a new, global perspective.

Classical Traditions in Science Fiction is the first collection dedicated to the rich study of science fiction's classical heritage, offering a much-needed mapping of its cultural and intellectual terrain.

Classical Traditions in Science Fiction is the first collection dedicated to the rich study of science fiction's classical heritage, offering a much-needed mapping of its cultural and intellectual terrain.

In this ground-breaking and interdisciplinary collection, leading scholars show that claims about the past have been crucial in articulating sexual morals, driving political, legal, and social change, shaping individual identities, and constructing and grounding knowledge about sex.

This volume looks to uncover the nature of Russian reception of Vergil, and argues that the best way to analyze his presence in Russian letters is to view it in the context of the formation and development of Russian national and literary identity.

This volume focuses on the development of theatre in Greece during the dictatorship of 1967-1974, shedding light not only on the messages and impact of the plays written and produced at this time, but also on the politics of culture and censorship affecting the Greek public during this period.

In this volume, Roynon explores Toni Morrison's widespread engagement with ancient Greek and Roman tradition. Combining original and detailed close readings with broader theoretical discussions, she argues that classicism is fundamental to the transformative critique of American culture that Morrison's work effects.

This volume examines cinematic representations of ancient Greek women from the realms of myth and history. It discusses how these female figures were resurrected on the big screen by different filmmakers during different historical moments, and were therefore embedded within a narrative which served various purposes.

Classics in the Modern World explores the features and implications of a 'democratic turn' in modern perceptions of the ancient world. Exploring the relationship between Greek and Roman ways of thinking and modern definitions of democratic practices and approaches, it enables a wider re-evaluation of the role of classics in the modern world.

Tracing the evolution and reception history of a collection of ancient Greek epigrams from the early nineteenth to twentieth century, the volume analyses the rhetoric which writers and translators brought to the text, highlighting the after effects of this cultural war on the interpretations of Ancient Greece in British print culture.

This volume examines the use of Graeco-Roman samplings in the Bengali works of Michael Madhusudan Datta (1824-1873). Riddiford introduces new texts and contexts to the fields of classical reception and postcolonial scholarship, offering a surprising early chapter in the story of the dissemination and reception of the Graeco-Roman classics in India.

In War, Liberty, and Caesar, Edward Paleit discusses how readers and writers of the English Renaissance read and understood Lucan's epic poem on the Roman civil wars. Looking at engagements with Lucan across a wide variety of literary forms, Paleit questions what made this Latin author so relevant during this period.

Paul explores the relationship between films set in the ancient world and the classical epic tradition, arguing that there is a connection between the genres. Through this careful consideration of how epic manifests itself through different periods and cultures, we learn how cinema makes a claim to be a modern vehicle for a very ancient tradition.

This book explores the political uses of Italy's antique past in the early nineteenth century, tracing how anti-romanism was transformed into a pillar of the nation-building process. It demonstrates the pivotal role played by this ancient heritage in the formation of modern Italian national identity.

Balmer examines the art of classical translation from the perspective of the practitioner. From translating classical texts, to her poetry collections inspired by classical literature, she discusses her own relationship with ancient literature and uncovers the various strategies and approaches she has employed in their transformations into English.

Heringman focuses on the illustrators, fieldworkers, and ghostwriters associated with the production of scholarly plate books during the Romantic-era. The volume explores how the expertise acquired by these intellectuals precipitated a major shift in research and forged a broader perception of antiquity, transforming intellectual life.

This volume presents 11 radio scripts written and produced by Louis MacNeice over the span of his career at the BBC. This selection, all but one of which is published for the first time, illustrates the various ways that MacNeice re-worked ancient Greek and Roman history and literature for radio broadcast.

Egyptology in British Culture and Religion shows, for the first time, how Egyptology's development over the century that followed the decipherment of the hieroglyphic script in 1822 can only be understood through its intimate entanglement with the historical, scientific, and religious contentions which defined the era.

This book explores works from Africa and the African diaspora which respond to the Homeric Odyssey. As a founding text of the Western canon, and as a homecoming trope and quest for identity, the Odyssey has inspired writers who are simultaneously striving against and appropriating the very forms which had been used to oppress them.

Offering a unique cross-cultural study, this book provides a detailed account of the relationship between classical antiquity and the British colonial presence in India. Vasunia shows how classical culture pervaded the minds of the British colonizers, and highlights the many Indian receptions of Greco-Roman antiquity.

Dynamic Reading examines the reception history of Epicureanism in the West, focusing in particular on the ways in which it has provided conceptual tools for defining how we read and respond to texts, art, and the world more generally.

Arranged in three sections - Romanticisms, Romantics, and Reception - the 18 contributions in Romans and Romantics seek to highlight the key role that the Romans played in the creation and development of Romanticism, and the role Romanticism has since played in conceptions of the Romans.

Antiquity on Display offers an insight into the history of the imaginative reproductions of architecture housed in Berlin's Pergamon Museum and the shifting regimes of the authentic in museum displays from the nineteenth century to the present.

This book disputes the notion that humanists in sixteenth-century France were ivory-tower academics detached from the world. Through their interpretations of Homer, they not only played the role of counselor to the king, but participated in national debates about sovereignty and contributed to the development of a French national consciousness.

Two Thousand Years of Solitude: Exile After Ovid is an interdisciplinary study of the impact of Ovid's banishment upon later Western literature and explores the responses to Ovid's portrait of his life in exile. Two millennia after his banishment, Ovid is still a potent symbol of the punished author, suffering in exile.

A collection of essays exploring the crucial place of Homer in the cultural landscape of the twentieth century. It contributes to current debates about the nature of the Western literary canon, the evolving notion of world literature, the relationship between orality and the written word, and the dialogue between texts across time and space.

Women writers are turning to Virgil and alluding to his poetry in a bid to explore modern preoccupations and concerns. Through an analysis of Virgil's presence in the work of contemporary women writers, this book identifies a new Virgil: one who speaks in female tones of the anxieties, pleasures, and threats of the contemporary world.