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Compelling account of the decline of 'the social' and rise of atomisation under neo-liberalism, and how we can recreate a vibrant public realm.
Looks at the hope for democratic renewal embodied by Occupy Wall Street and other emerging movements.
Focuses on Sino-French films that have appeared since 2000. Michelle E. Bloom views these works through a Sino-French optic, applying the tropes of metissage (or biraciality), intertextuality, adaptation and remake, translation, and imitation to shed new light on these works.
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