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This collection of essays and interviews, some previously unpublished and almost all of which appear in English for the first time, encompasses the political and ethical thinking of Jacques Derrida over 30 years.
This book analyzes contemporary visual art produced in the context of conflict and trauma from a range of countries, including Colombia, Northern Ireland, South Africa, and Australia. It focuses on what makes visual language unique, arguing that the "affective'"quality of art contributes to a new understanding of the experience of trauma and loss.
Through three different versions of phenomenological discourse (Derrida, Henry, and Levinas), this book explores the notions of excess and the excess of excess relative to conceptions of the self.
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