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This multi-disciplinary collection examines the recent wave of political apologies for acts of past injustice.
This vanguard collection of original and in-depth essays seeks to explore the intricate interplay of the aesthetic and psychological domains during the late nineteenth and early twentieth centuries, and to consider the reasons why a common Modernist project took shape when and in the circumstances it did.
Examining the emergence of modernism from the fin-de-siecle primitivist project this volume shows how ethnographic materials shaped a variety of high and low discourses (ethnology, social theory, gender construction, classical scholarship, as well as travel photography) at the turn of the century. Illustrated with 98 photographs and drawings.
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