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The Masque of the Red Death (1964), the seventh collaboration between producer-director Roger Corman and horror icon Vincent Price, became the crowning achievement for both men, their masterpiece.
Martin Scorsese's Cape Fear (1991) opens with a shot of water andclimaxes on a raging river. The director's love of fear cinema, his Catholicism and filmmaking techniques shift Cape Fear into terrifying psychological and psychosexual waters.
In this Devil's Advocates, horror scholar Kevin Wetmore examines what elements in the film are truly terrifying, how the filmmakers' claims of being based on a true story hold up against the actual history of the haunting and the Warrens, and the relationship between The Conjuring and the many films in its universe.
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