Books in the Edinburgh Studies in Transatlantic Literatures series

Transnationalism in Practice brings together fourteen essays written by Paul Giles between 1994 and 2009 on the subjects of American studies, literature and religion. In an introduction written especially for the collection, Giles traces the evolution of critical transnationalism as it developed through the 1980s and 1990s. The volume includes "e;Reconstructing American Studies"e; (1994), one of the first articles to address the field from a transnational perspective, along with other pieces on methodological and practical issues surrounding the internationalization of American studies. The essays on American literature contain work on Theodore Dreiser, Henry James and the critic F. O. Matthiessen, along with a new study of Jamaica Kincaid in relation to postcolonialism. The section on religion traces the circulation of secularized forms of Catholicism in U.S. culture, from nineteenth-century slave narratives to the musical performances of Bruce Springsteen. Transnationalism in Practice ranges widely, from the culture of colonial America to the novels of Robert Coover and Kathy Acker, while also encompassing a broad range of interdisciplinary topics, from the presidency of George W. Bush to the role of religion in American society. This book will be of interest to all of those concerned with the place of U.S. culture in the world today.

Robert Southey did not exaggerate when he described the England of his day as "e;South American mad."e; As Spain's hold on its colonies progressively weakened during the late eighteenth and early nineteenth centuries, thousands of British scientists, soldiers, entrepreneurs, and settlers rushed to take advantage of the enticing opportunities Spanish America offered. Britain's fascination with the region displayed itself in poems, plays, operas, political tracts, news reportage, travel narratives, and stock market quotations. Creole patriots such as Francisco de Miranda and Andres Bello gathered in London to solicit aid for their revolutions while ministers debated tactics for liberating both the peoples and the untapped wealth of Spain's colonies. Through critical reconsiderations of both canonical and lesser-known Romantic texts, from Helen Maria Williams's Peru to Samuel Rogers's The Voyage of Columbus and Byron's The Age of Bronze, Heinowitz reveals the untold story of Romantic-era Britain's Spanish American obsession. Although historians have traditionally characterized Britain's relationship with Spanish America as commercial rather than colonial, this book explores the significant rhetorical overlap between formal and informal strategies of rule. In the absence of a coherent imperial policy regarding Spain's colonies, Britain struggled to justify its actions by means of the problematic assertion that British primacy was authorized by a political, cultural, ethical, and even historical identification with the peoples of Spanish America. By examining the ways in which this discourse of British-Spanish American similitude was deployed and increasingly strained throughout the late eighteenth and early nineteenth centuries, Heinowitz demonstrates that British writing about Spanish America redefines the anxieties, ambivalences, and contradictions that characterize Romantic Imperialism.

A major interpretation of recent South Asian diasporic writing and cinema in specifically transatlantic terms Ruth Maxey provides readings of canonical and less well-known South Asian American and British Asian texts and key cinematic works. She explores the formal and thematic tendencies of the works, relating them to gender politics, the marketplace, and issues of literary value and historical change. While engaging with established debates, Maxey also intervenes in new ways in transatlantic, postcolonial literary, and Asian American cultural studies. Key features * Looks at writers including Jhumpa Lahiri, Bharati Mukherjee, Mohsin Hamid, Hanif Kureishi, Monica Ali, and Nadeem Aslam * Explores films such as Mischief Night, Mississippi Masala, A Love Supreme, and Praying with Anger * Sources used include articles from mainstream American, Asian and British newspapers such as The New York Times, The Washington Post, The Hindu, New Statesman, The Daily Telegraph, and The Guardian * Engages with critics including Susan Koshy, Sukhdev Sandhu, Rajini Srikanth, and James Procter * The book is organised around the four key themes of: home & nation, travel & return, racial mixing, and food & eating.

This book, the first fully sustained reading of Henry James's and Oscar Wilde's relationship, reveals why the antagonisms between both authors are symptomatic of the cultural oppositions within Aestheticism itself. The book also shows how these conflicting energies animated the late nineteenth century's most exciting transatlantic cultural enterprise. Richly illustrated and historically detailed, this study of James's and Wilde's intricate, decades-long relationship brings to light Aestheticism's truly transatlantic nature through close readings of both authors' works, as well as nineteenth-century art, periodicals and rare manuscripts. As Mendelssohn shows, both authors were deeply influenced by the visual and decorative arts, and by contemporary artists such as George Du Maurier and James McNeill Whistler. Henry James, Oscar Wilde and Aesthetic Culture offers a nuanced reading of a complex relationship that promises to transform the way in which we imagine late nineteenth-century British and American literary culture.