Books in the Emotions In History series

Traces the history of the concepts of civility and civilization in nineteenth-century Europe and Asia and explores why and how emotions were an asset in civilizing peoples and societies - their control and management, but also their creation and their ascription to different societies and social groups.

Feeling Revolution explores the important role played by film genres in cultivating the Stalin era's distinctive emotional values and norms - ranging from happiness to hatred for enemies. Toropova's exploration of a wide variety of primary sources brings to light the Soviet film industry's battle to shape new forms of audience response.

Enthusiasm is desirable, yet dangerous. More than just affective intensity, it entails belief. Combining historical and ethnographic methods, this book explores different styles of religious enthusiasm in Modern Germany, inflected by historical traditions and social milieus, in an effort to understand the modern ambivalence toward this feeling.

The first cultural history of terms of emotion found in German, French, and English language encyclopaedias since the late seventeenth century.

This volume demonstrates how children, through their reading matter, were provided with learning tools to navigate their emotional lives, presenting this in the context of changing social, political, cultural, and gender agendas, the building of nations, subjects and citizens, and the forging of moral and religious values.

An exploration of the vital distinctions Renaissance writers made between grief, godly sorrow, despair, and melancholy, and the unique interactions these emotions were thought to produce in the mind, body, and soul, Beyond Melancholy demonstrates the value of an inclusive and interdisciplinary approach to the study of the emotional past.

Analyzing debates about emotions and urban change in Berlin and Cairo, Joseph Ben Prestel questions the assumed dissimilarity of the history of European and Middle Eastern cities in the second half of the nineteenth century.

A book about the ways in which humans have been bound affectively to the material world in and over time; how they have made, commissioned, and used objects to facilitate their emotional lives; how they felt about their things; and the ways certain things from the past continue to make people feel today.

The Holy Roman Empire was the heartland of the witch craze, with around 23,000 witches executed in the early modern period. In this book, Laura Kounine uses case studies of witch trials in early modern Wurttemberg to examine how people sought to identify witches, and the ways in which ordinary men and women fought for their life to avoid the stake.

As the economic miracle of the 1950s and 1960s transformed Italy from a poor and largely rural nation into a prosperous, modern one, attitudes to love changed too. This book draws on unpublished personal testimonies of ordinary men and women, exploring their thoughts on courtship, marriage, honour, forced marriage, jealousy, and marriage breakdown.

The Emotions of Internationalism follows a number of international people and institutions active in the Alps in the 1920s and 1930s, exploring how they understood emotions and how they tried to employ them to achieve their political and non-political goals.

Set in recently unified Italy, the narrative of Emotional Arenas is driven by a failed marriage, the wife's scandalous affair with a circus artiste, and the illicit couple's murder of the hapless husband. Imaginative reading of the criminal prosecution records and newspaper coverage allows reconstruction of the emotional experiences of this story.

The Emotional Economy of Holidaymaking explores the rise of popular holidaymaking in late-nineteenth-century Britain, generally considered to be the birthplace of mass tourism. It unravels the role emotions played in British spa and seaside holiday cultures.

This book explores caritas, the idea of neighboury love, as a key ethic that shaped how early modern people lived, loved, and thought about the self.