Books in the Enactments - (Seagull Titles CHUP) series

Since 1986, the Burning Man Festival has evolved from founder Larry Harvey's personal healing ritual into a cultural movement where ceremony, religion, visual art, and performance converge on an epic scale. This work explores the spectrum of performance and ritual practices within Black Rock City from the everyday to wild spectacle.

Over the centuries, observances of Muharram, the first month of the Islamic calendar, have traveled far from their origins at Karbala. This title describes many of the Muharram rituals that were exported to other lands over time. It explores the social, political, cultural, artistic, and religious significance of Muharram rituals.

Explores the personal and political implications of Gilligan's account of pleasure and the human psyche.

How can court testimony be used to rebuild a cohesive national identity for the Hutus and Tutsis? And how is it that dance and theater help to move forward the cause of justice and reconciliation? This title provides a satisfying analysis of the interplay between justice, performance, narrative, and memorialization.

The devil is a defiant, nefarious figure, the emblem of evil, and harbinger of the damned. However, the festive devil, turns the most hideous acts into playful transgressions. This volume presents a transnational and performance-centered approach to this character of fiestas, street festivals, and carnivals in North, Central, and South America.

IN

Molissa Fenley, one of the most influential artists of postmodern dance, has had a lasting impact on performance. This is a vivid and probing portrait of Fenley's four-decade career, written by her fellow artists. It offers several scholarly analyses of the choreographer's work, and is, above all, a vibrant record from the field.