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A popular music phenomenon in the early 2000s, emo is short for 'emotional hardcore', and refers to both a music genre and a youth scene notable for its androgynous style. Judith May Fathallah pushes beyond the stereotypes and social stigma to explore how online fandom has shaped the definition of emo.
Gathers together seemingly contradictory narratives that intersect at the (in)visibility of race/ism in fandom and fan studies. This collection engages the problem by undertaking the different tactics of decolonization - diversifying methodologies, destabilizing canons of 'must-read' scholarship, and decentering white fans.
Explores online fan spaces in search of ""Janeites"" all over the world to discover what fans are making, how fans are sharing their work, and why it matters that so many women and non-binary individuals find a haven not only in Jane Austen, but also in Jane Austen fandom.
Examines digital and real-world fan communities and the individuals who comprise them, profiling their relationships to Cash and each other. Studying Johnny Cash's international fans and their love for the man reveals new insights about music, fandom, and the United States.
The historic and mythic elements of the American Old West have exerted a global fascination for more than 200 years and became the foundation for fan communities who have endured for generations. This book examines some of those communities.
What is the appeal of film tourism, and what can its rise tell us about contemporary fandom? Fan Sites explores why and how we experience film and television-related places, and what the growth of this practice means for contemporary fandom.
The discipline of fan studies is famously undisciplined. But that doesn't mean it isn't structured. This is the first comprehensive primer for classroom use that shows students how to do fan studies in practical terms.
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