Books in the Gender and Genre series in order

Contains the first ten books from the series.

Giving a comprehensive critique of Cholmondeley's writings, Oulton analyzes the inspiration and influences behind some of her greatest work and provides an appealing biography on a writer whose work is of increasing interest to modern scholars.

Throughout history the poetic muse has tended to be (a passive) female and the poet male. Parker looks at fin-de-siecle lyric poets to investigate how they overcame these roles and identifies their key strategies.

This study offers a timely and necessary reassessment of the careers of Ann Yearsley and Hannah More. Making use of newly-discovered letters and poems, Andrews provides a full analysis of the breakdown of the two writers' affiliation and compares it to other labouring-class relationships based on patronage.

Jane Austen's six complete novels and her juvenilia are examined in the context of civil society and gender. Steiner's study uses a variety of contexts to appraise Austen's work: Scottish Enlightenment theories of societal development, early-Romantic discourses on gender roles, modern sociological theories on the civilizing process.

This study examines the presentation of suicide within the genre of the eighteenth-century novel. Referencing several key writers of the period, McGuire demonstrates that their work inscribes a nationalist imperative to frame suicide as self-sacrifice.

By tracing the rise of the New Man alongside novelistic changes in the representations of marriage, MacDonald shows how this figure encouraged Victorian writers to reassess masculine behaviour and to re-imagine the marriage plot in light of wider social changes. She finds examples in novels by Dickens, Anne Bronte, George Eliot and George Gissing.

This book explores how British women used the didactic novel genre to engage in political debate in novels published from 1790 to 1820. The genre was among the few acceptable ways by which women could participate in public political debate; the book reveals how it works as a corrective not just on a personal and individual level, but at the political level through its focus on issues such as inheritance, slavery, the roles of women and children, the limits of the novel, and English and Scottish nationalism. This book demonstrates how women with various ideological and educational foundations were involved in British political discourse during a time of radical partisanship and social change.

This interdisciplinary book sets a new agenda for international scholarship on Macaulay, and reformulates contemporary ideas about gender and genre in 20th-century British literature.