Books in the Georgia Review Books Series series

Contains eighteen of the nearly fifty essays on poetry that Judith Kitchen published in The Georgia Review over a twenty-five-year span. Coming at the genre from every possible angle, this celebrated critic discusses work by older and younger poets, most American but some foreign, and many of whom were not yet part of the contemporary canon.

Drawn directly from the voices of Hong Kong during its anti-extradition protests, these poems consist of submitted testimonies and found materials - and are all anonymous from end to end, from first speech to translated curation. This collected poetic documentation of protest is thus an authorless work that brings together many voices.

Charts the course of the American literary response to the twentieth century's accumulation of environmental deprivations. The essays range in subject matter from twentieth-century examples of what was then called nature writing, through writing after 2000 that gradually redefines the environment in increasingly human terms.