Books in the Getty Publications - (Yale) series

The first truly comprehensive analysis of the history, practice, and conservation of painting on canvas.

Thoroughly researched and beautifully produced, this catalogue complements the first comprehensive retrospective in the United States of Imogen Cunningham's work in over thirty-five years.

An informative, lavishly illustrated survey of one hundred years of fashion photography, including more than three hundred photographs by the genre's most famous practitioners.

A multivolume reference on all known aspects of Greek, Etruscan, and Roman cults and rituals. It includes illustrated scholarly articles in English, French, Italian, and German that treat such topics as processions, sacrifices, libations, dedications, purification, initiation, divination, prayer, asylum, maledictions, banquets, music, and dance.

Eliot Porter was a pioneer in use of colour photography. His work also became a powerful visual argument for environmental conservation. Possessing a gift for close observation, Porter explored new ways of depicting nature, building blinds in trees so he could study his avian subjects at closer vantage.

Herb Ritts (1952-2002) was a Los Angeles-based photographer who established an international reputation for distinctive images of fashion models, nudes, and celebrity portraits. This book traces the life and career of the iconic photographer through a selection of photographs and two insightful essays.

A heavily illustrated and highly designed tribute to Los Angeles architect Pierre Koenig, a key figure of the Los Angeles Modernist movement.

Offers investigation of the material and philosophical aspects of conserving contemporary art. This title gives a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art.

At the heart of all good art museum teaching is an effort to bring people and artworks together in meaningful ways. But what constitutes an experience of a work of art? This book addresses these and myriad other questions and investigates the mission, history, theory, practice, and future prospects of museum education.

Investigates the idea of beauty over time and space. This book offers a chronological account whose conceptual and historical paradigms have been reiterated and contested into the twentieth century. It not only sketches the circumstances that shaped Winckelmann's project but also assesses this scholar's influence on European intellectual life.