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Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional textual forms collaborated with the new visual culture.
Sebastian Veg explores the rise of minjian-unofficial, unaffiliated, and among the people-intellectuals and how they have profoundly transformed China's public culture. Minjian documents how, amid deep structural shifts, grassroots thinker-activists began to work outside academia or policy institutions in an embryonic public sphere.
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