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This book explores the representations of Greek myths in Roman art, including public, domestic and funerary contexts. It shows the crucial role Greek culture played in forming Roman identity, and how this changed over time. The book is aimed at scholars and students of Roman art and of Roman social and cultural history.
Examines four texts of the Imperial period by Strabo, Dio of Prusa, Lucian, and Philostratus in order to elucidate how each author formulates very different conceptions of Homer, his motivations, and his poetic methods in constructing his imaginative and innovative treatment of Homer's relation to heroic history.
This exciting 2010 collection of essays offers a reappraisal of current ideas about Greek identity under the Roman empire. Drawing on extensive discussions of sources and modern theories of the tension between global and local identities, the authors argue that regional identities were both produced and challenged by Roman imperialism.
Galen is the most important medical writer in Graeco-Roman antiquity. This volume locates him firmly in the intellectual life of his period of the second century AD, and tries to explain the medical and philosophical 'world of knowledge' that he tries to create.
Roman portrait statues, famed for their individuality, repeatedly employed the same body forms. This book examines the 'Large Herculaneum Woman' statue type, a draped female body common in the second century CE and surviving in about two hundred examples, to demonstrate how sameness helped to communicate a woman's social identity.
Romance was the dominant Greek literary genre of the Roman Empire. This book explores its distinctive qualities and the reasons for its popularity. Using cultural and narrative theory, it argues that the romance was simultaneously primal and malleable enough to capture the tensions in Greek identity during this era.
This book examines the impact of the Roman cultural revolution under Augustus on the Roman province of Greece and argues that the transformation of Roman Greece into a classicising 'museum' was a specific response of the provincial Greek elites to the cultural politics of the Roman imperial monarchy.
The first volume of its kind to be devoted to the works of Philostratus, the great essayist, biographer and historian of Greek culture in the Roman world. The papers contained cover his remarkable range, from hagiographic fiction to historical dialogue, and from prescriptions for gymnastics to the lives of the Sophists.
Drawing upon the issues raised by postcolonial and performance theory, this book evaluates how Syrians redefined Greekness and negotiated the pressures of Greek colonialism and Roman imperialism. Of interest to ancient historians, archaeologists and classicists generally and for those studying the Near East in particular.
Vision was a powerful sense in the ancient world. How did the rabbis living in Roman Palestine and Persian Mesopotamia understand and seek to discipline and cultivate it? This book offers a new perspective on the significance of sight for the rabbis, of interest to a wide range of scholars.
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