Books in the Haymarket Series series

This history of the Weatherman Underground covers the origins, development and ultimate demise of the organization. Drawing on an array of documents, interviews with participants, and a knowledge of the history of the New Left, Jacobs gives an objective assessment of US 1960s radicalism.

This text provides an explanation of the political correctness argument: how it emerged and how right-wing pundits have used it to undermine contemporary criticism. In a series of essays, Berube examines such issues as the current state of cultural studies and the significance of postmodernism.

Classic study of Chicano Los Angeles

Taking a multi-disciplinary approach, this prize-winning author offers reflections on how the history of white racism continues to have impact on political and social life today. His previous book, "The Wages of Whiteness" won the Merle Curti Prize for Social History in 1991.

This text examines documentary in print, photography and film from the 1930s to the 1990s, using the lens of feminist film theory as well as scholarship on race, class and gender. Rabinowitz discusses the ways in which the media have shaped the truth over the decades.

This collection of essays questions the often ambivalent place of Africa in the imaginations, cultures and politics of its American and British descendants. It combines literary analysis, history, biography, cultural studies, critical theory and politics.

Discusses the politics and culture of architecture - its powerful institutions and personalities, its various schools, and its background of hidden deals. These essays range from the skyscrapers and development scandals of New York to the architectural culture of Los Angeles.

Who speaks for science in a technologically dominated society? In his latest work of cultural criticism Andrew Ross contends that this question yields no simple or easy answer. In our present technoculture a wide variety of people, both inside and outside the scientific community, have become increasingly vocal in exercising their right to speak about, on behalf of, and often against, science and technology.Arguing that science can only ever be understood as a social artifact, Strange Weather is a manifesto which calls on cultural critics to abandon their technophobia and contribute to the debates which shape our future. Each chapter focuses on an idea, a practice or community that has established an influential presence in our culture: New Age, computer hacking, cyberpunk, futurology, and global warming.In a book brimming over with intelligence—both human and electronic—Ross examines the state of scientific countercultures in an age when the development of advanced information technologies coexists uneasily with ecological warnings about the perils of unchecked growth. Intended as a contribution to a ¿green¿ cultural criticism, Strange Weather is a provocative investigation of the ways in which science is shaping the popular imagination of today, and delimiting the possibilities of tomorrow.