Books in the History, Archaeology, and Culture of the Levant series

Examines the origins of the figure of St. George in Christian, Islamic and Jewish contexts, using primary texts in Arabic, Latin, Ugaritic and other languages. Explores possible connections and continuity with the Canaanite storm god Baal.

Examines the technology of writing as it existed in ancient Israel. Utilizes the Hebrew Bible as its corpus and focuses on a set of Hebrew terms that designated writing surfaces and writing instruments.

In this volume, Kenneth Way explores the role of donkeys in the symbolism and ceremonies of the biblical world. His study stands alone in providing a comprehensive examination of donkeys in ancient Near Eastern texts, the archaeological record, and the Hebrew Bible. Way demonstrates that donkeys held a distinct status in the beliefs and rituals of the ancient Near East and especially Canaan-Israel.The focus on ceremony and symbol encompasses social and religious thoughts and practices that are reflected in ancient texts and material culture relating to the donkey. Ceremonial considerations include matters of sacrifice, treaty ratification, consumption, death, burial, ?scapegoat? rituals, and foundation deposits; symbolic considerations include matters of characterization, association, function, behavior, and iconographic depiction. However, the distinction between ceremony and symbol is not strict. In many cases, these two categories are symbiotic. The need for this study on donkeys is very apparent in the disciplines that study the biblical world. There is not a single monograph or article that treats this subject comprehensively. Philologists have discussed the meaning of the Amorite phrase ?to kill a jackass,? and archaeologists have discussed the phenomenon of equid burials. But until now, neither philologists nor archaeologists have attempted to pull together all the ceremonial and symbolic data on donkeys from burials, ancient Near Eastern texts, and the Hebrew Bible. Way's study fills this void.

As we read the wilderness narrative, we are confronted with a wide variety of cues that shape our sense of what kind of narrative it is, often in conflicting ways. It often appears to be history, but it also contains genres and content that are not historiographical. To explain this unique blend, Roskop charts a path through Akkadian and Egyptian administrative and historiographical texts, exploring the way the itinerary genre was used in innovative ways as scribes served new literary goals that arose in different historical and social situations. She marries literary theory with philology and archaeology to show that the wilderness narrative came about as Israelite scribes used both the itinerary genre and geography in profoundly creative ways, creating a narrative repository for pieces of Israelite history and culture so that they might not be forgotten but continue to shape communal life under new circumstances.The itinerary notices also play an important role in the growth of the Torah. Many scholars have expressed frustration with historical criticism because it seems at times to focus more on deconstructing a narrative than explaining how this composite text manages to work as a whole. The Wilderness Itineraries explores the way that fractures in the itinerary chain and geographical problems serve both as clues to the composition history of the wilderness narrative and as cues for ways to navigate these fractures and read this composite text as a unified whole. Readers will gain insight into the technical skill and creativity of ancient Israelite scribes as they engaged in the process of simultaneously preserving and actively shaping the Torah as a work of historiography without parallel.

Modern science historians have typically treated the sciences of the ancient Near East as separate from historical and cultural considerations. At the same time, biblical scholars, dominated by theological concerns, have historically understood the Israelite god as separate from the natural world. Cooley's study, bringing to bear contemporary models of science history on the one hand and biblical studies on the other hand, seeks to bridge a gap created by 20th-century scholarship in our understanding of ancient Near Eastern cultures by investigating the ways in which ancient authors incorporated their cultures' celestial speculation in narrative. In the literature of ancient Iraq, celestial divination is displayed quite prominently in important works such as Enuma Eli¿ and Erra and I¿um. In ancient Ugarit as well, the sky was observed for devotional reasons, and astral deities play important roles in stories such as the Baal Cycle and Shahar and Shalim. Even though the veneration of astral deities was rejected by biblical authors, in the literature of ancient Israel the Sun, Moon, and stars are often depicted as active, conscious agents. In texts such as Genesis 1, Joshua 10, Judges 5, and Job 38, these celestial characters, these "sons of God," are living, dynamic members of Yahweh's royal entourage, willfully performing courtly, martial, and calendrical roles for their sovereign. The synthesis offered by this book, the first of its kind since the demise of the pan-Babylonianist school more than a century ago, is about ancient science in ancient Near Eastern literature.

The vision for this impressive work on temple architecture in the Levant grew out of the author's work on Roman temple designs on the Iberian Peninsula and continual references to Semitic influences on the designs of sanctuaries both on the Peninsula and in North Africa. It was assumed that Phoenician colonization had brought with it the full flowering of Levantine architectural forms. As Mierse began to search for relevant material on the ancient Levant, however, he discovered that no overall synthesis had ever been written, and it was virtually impossible to recognize and isolate Semitic elements in architectural forms. This book addresses this need.The analysis presented here is comparative and follows the methodology most commonly employed by architectural historians throughout the twentieth century. It is a formalist approach and permits the isolation of lines of continuity and the detection of discontinuity. While Mierse relies heavily on this traditional method, he also introduces some approaches from the postprocessual school of archaeology in its attempts to discern an appropriate way for cult to be investigated by archaeology.The sanctuaries that this book presents were erected between the end of the Late Bronze Age (conventionally assigned the date of 1200 B.C.E.) and the annexation of the Levantine region into the Assyrian Empire (when Mesopotamia again became highly influential in the region). The topic concerns temples that were produced during the period when the Levant was its own entity and politically independent of Egypt, Mesopotamia, or Anatolia. During this period, the designs chosen for inclusion in this book must reflect local choices rather than resulting from imposed outside concepts.The architecture that emerged in the wake of the downfall of the Late Bronze Age and the subsequent reemergence of social cohesiveness manifested significant changes in form and function. The five centuries under review reveal exciting developments in sacred architecture and show that, although the architects of the first millennium B.C.E. maintained important lines of continuity with the developments of the previous two millennia, they were also capable of creating novel forms to meet new needs.Included in this fascinating volume are 90 pages of photos, drawings, floor plans, and maps.

A reappraisal of the early cultural history of the Bactrian camel and the dromedary based on archaeology, iconography, inscriptions, and other text sources. Critically evaluates the various camel references in the Hebrew Bible and in the Gospels.