Books in the India List series

"The day they found my brother with a blood stain, I found one on my kurta too, but no one noticed my blood stain." Thus begins the story of a young girl in Kashmir as she goes through the turbulence of adolescence in her conflict-ridden world. While larger issues of terrorism, violence, and death engulf the hearts and minds of all those around her, she struggles to come to terms with her changing body and all that it entails. Left alone to deal with her constant questions, she experiences despair and loneliness but also shows resilience and hope in the faint knowledge that maybe it is not very different for all young girls around the world: "Is it the same for you?" she asks. With powerful yet sensitive illustrations by Priya Sebastian, which infuse the story with a universality, this beautiful volume is a tender attempt in imagining the different strands of a young life in Kashmir--a place where the inner conflicts of voiceless, adolescent girls are often overshadowed by the political, religious, and military conflicts that are now a constant in everyday life.

Written during the final stages of the Indian Independence movement, between the gloom and angst of the interwar period and at the cusp of the beginning of modern India, Bhuwaneshwar‿s short stories both capture the melancholy of the time and ask what it means to be human in an indifferent and amoral world. These stories are truly an event in the history of modern Hindi literature‿his work marks a complete break from the neo-romanticism and mysticism of his predecessors and contemporaries and establishes him as the definitive founder of the modern Hindi short story. His stories are populated with lonely characters from all walks of life: doctors, students, nomadic communities, acrobats, single mothers, soldiers returning from war, neglected children, and more. They are people living on the margins, introspecting their own anxieties and existence in an increasingly uncertain world set in places as far apart as hill stations, anonymous Indian villages, highways, railway compartments, and small towns in France. This new collection includes all of Bhuwaneshwar‿s twelve published short stories, none of which have been translated into English before now. Cinematic and peerless, these tales combine images, sketches, sounds, fragments, dialogues, and frame-narrative techniques of Indian folktales, ultimately creating a montage of modern Indian psyche not found in any other work of Hindi literature. Nearly a century old, Bhuwaneshwar‿s stories read like they were written in modern day, dealing with questions and anxieties that continue to haunt and reappear, much like his iconic wolves, in the twenty-first century.   Â

In Japan there is a legend that anyone who folds one thousand paper cranes will have their wishes realized. But folding cranes, and the meditative, solemn care that it involves, has come to mean more than just an exercise in wish making. Origami cranes have become a symbol of renewal, atonement, and warning. Their symbolism may have emerged out of Japan‿s particular mythology and history, but they do not belong to any one nation. The crane is a migratory bird that crosses borders and makes its home with scant regard to the blood-soaked lines that humans have drawn on maps. This anthology uses origami cranes as a way for some of India‿s best-known writers, poets, and artists to form a shared civic space for a conversation about the fault lines in India at a time of darkness. The twenty-three pieces collected here encompass reportage, stories, poems, memoir, and polemic‿the kind of complex and enriching diversity that India demands and deserves. The paper crane becomes a motif of connection, beauty, and reclamation in an otherwise degraded country, enabling those who fight with words to become the best army they can be.

Written for young children, Delhi Thaatha is a biography of Dr. Sarvepalli Radhakrishnan, a much-loved teacher and world-renowned philosopher who served as the first vice president of the Republic of India, then, beginning in 1962, president of the country.

Bibhutibhushan Bandyopadhyay was one of the greatest writers in modern Bengali literature, best known for his autobiographical novel Pather Panchali, which, along with another of Bandyopadhyay's books, formed the basis for Satyajit Ray's classic Apu Trilogy. In this semi-autobiographical novel, Satyacharan is a young graduate in 1920s Calcutta, who, unable to find a job in the city, takes up the post of a 'manager' of a vast tract of forested land in neighboring Bihar. As he is increasingly enchanted and hypnotized by the exquisite beauty of nature, he is burdened with the painful task of clearing this land for cultivation. As ancient trees fall to the cultivator's axe, indigenous tribes--to whom the forest had been home for millennia--lose their ancient way of life. The promise of 'progress' and 'development' brings in streams of landless laborers, impoverished schoolmasters and starving boys from around the region, and the narrator chronicles in visionary prose the tale of destruction and dispossession that is the universal saga of man's struggle to bend nature to his will. Written in 1937-39, and now available in English translation, Aranyak is an unforgettable account of hard lives in a place of vanishing beauty, preserved here for all time by a brilliant artist.

Banaphool--which means wildflower--was the pen name of beloved Bengali writer Balaichand Mukhopadhyay (1899-1979). Wildfire brings together forty-five short pieces by Banaphool that are brilliantly representative of his uncompromising, multifaceted talent. Stark and short, often much too short, some even cryptic, these stories often leave much of the narrative to our imagination. Here we find an irresistible grab bag: utterly whimsical tales, several ghost stories, a few morality fables, some bitterly critical political satires, and a number of stories that examine the plight of those neglected in or rejected by society. The wildflower, Rabindranath Tagore had told the author, has no place in the porcelain vase, nor in the temple--it blossoms by the roadside, unnoticed, except by the creative vision. Identifying with it, Banaphool brings to our notice the worth of the marginal as well as the beauty of the mundane. The perfect introduction to a master writer, Wildfire will enchant and impress English-language readers new to Banaphool's work.

Dangerous Outcast traces prostitution in Bengal from precolonial times through the arrival of the British, examining how the profession was reordered to suit British desires.

Explores the hidden logic behind popular religions in nineteenth-century Bengal. This book examines cross-religious cults and the construction of Bengali myths and beliefs about godlings and spirits, approaching them as popular inventions that attempt to make sense of human existence in the face of an overwhelming and often hostile environment.

An actor of traditional Hindu dramas meets an adolescent girl who turns out to be his half-sister. A man returns to Goa from Mozambique to father a child for a family whose unmarried daughters has produced no heirs. Another man feels out of place in his family home after returning from Portugal to get a university education, as a woman waits faithfully for him to return. A forbidden romance blooms between a Christian girl and a Hindu boy. Through these stories, written with a mix of poignant nostalgia and sharp criticism, Vimala Devi recreates the colonial Goa of her childhood. First published in 1963, two years after the Portuguese colony became part of India, Monsoon is a cycle of twelve stories that vary in tone. By turns satirical, desolate, tender, humorous, and dramatic, they come together through a subtle interplay of echoes, parallels and cross-references to form a composite picture of a world gone by. They delve into divisions of caste, religion, language, and material privilege, setting them off against a common historical experience and deeply felt attachment to the land. Including a critical and contextualizing introduction by Jason Keith Fernandes, this rendition of Monsoon allows contemporary readers a rare peep into a colonial society that was significantly different from the British Indian mainstream.

One of India's preeminent historians examines the role of history in contemporary society.