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'His artistry is supreme' John Banville'Maigret had questioned thousands, tens of thousands of people in the course of his career, some occupying important positions, others who were more famous for their wealth, and others still who were considered the most intelligent of international criminals. Yet he attached an importance to this interrogation he had attached to no previous interrogation, and it wasn't Gouin's social position that overawed him, or his worldwide fame.''One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian
'Compelling, remorseless, brilliant' John Gray I can still see Simenon coming into my office the next day, pleased with himself, displaying even more self-confidence, if possible, than before, but nevertheless with a touch of anxiety in his eyes.' Maigret sets the record straight and tells the story of his own life, giving a rare glimpse into the mind of the great inspector - and the writer who would immortalise him.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent
Maigret uncovers some troubling family politics in this new translation, book thirty-three of the new Penguin Maigret series.'He had realized that it was her eyes as much as her vivacity that made her look so young. They were of a blue that was paler than the September sky over the sea and still had an expression of surprise, of wonderment'When a charming elderly widow appeals to him for help, Inspector Maigret travels to a seaside village in Normandy - uncovering a lost fortune and some poisonous family politics.Penguin is publishing the entire series of Maigret novels in new translations.'His artistry is supreme' John Banville'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent
A local scandal intrudes on Maigret's seaside holiday in book twenty-eight of the new Penguin Maigret series.At what point in the day could the note have been slipped into his pocket, his left breast pocket?It was an ordinary sheet of glazed squared paper, probably torn out of an exercise book. The words were written in pencil, in a regular handwriting that looked to him like a woman's.For pity's sake, ask to see the patient in room 15.When Inspector Maigret's wife falls ill on their seaside holiday, a visit to the hospital leads him on an unexpected quest to find justice for a young girl.Penguin is publishing the entire series of Maigret novels in new translations. 'His artistry is supreme' John Banville'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent
Maigret is cajoled out of retirement by a case involving an old classmate in book twenty-six of the new Penguin Maigret series.All that was still unclear, for sure. Ernest Malik had been right when he had looked at Maigret with a smile that was a mixture of sarcasm and contempt. This wasn't a case for him. He was out of his depth. This world was unfamiliar to him, and he had difficulty piecing it all together.Peacefully tending his garden in the countryside, Maigret is called upon to investigate a rich family with skeletons in their cupboard - and finds himself confronted by lies, snobbery and malice.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret in Retirement.'His artistry is supreme' John Banville'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent
A new translation of Georges Simenon's novel set in claustraphobic provincial town, book eighteen in the new Penguin Maigret series.Cars drove past along with the trucks and trams, but by now Maigret had realised that they were not important. Whatever roared by like this along the road was not part of the landscape. ... What really counted was the lock, the hooting of the tugs, the stone crusher, the barges and the cranes, the two pilots' bars and especially the tall house where he could make out Ducrau's red chair framed by a window.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as The Lock at Charenton.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent
Exiled from Paris, Maigret discovers some disturbing secrets in a sleepy coastal town in this new translation, book twenty-two in the new Penguin Maigret series.He went out, lit his pipe and walked slowly to the harbour. He could hear scurrying footsteps behind him. The sea was becoming swollen. The beams of the lighthouses joined in the sky. The moon had just risen and the judge's house emerged from the darkness, all white, a crude, livid, unreal white. Exiled from the Police Judiciare in Paris, Maigret bides his time in a remote coastal town of France. There, among the lighthouses, mussel farms and the eerie wail of foghorns, he discovers that a community's loyalties hide unpleasant truths.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret in Exile.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent
Maigret's first impressions of the USA colour this sparkling new translation, book twenty-seven of the new Penguin Maigret series.What was it about him that had struck Maigret so forcefully? . . . Little John had cold eyes! . . . Four or five times in his life, he had met people with cold eyes, those eyes that can stare at you without establishing any human contact.Persuaded to sail to New York by a fearful young law student, Maigret finds himself drawn into the city's underworld, and a wealthy businessman's closely guarded past.Penguin is publishing the entire series of Maigret novels in new translations.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent
'Compelling, remorseless, brilliant' John Gray 'Try to imagine a guest, a wealthy woman, staying at the Majestic with her husband, her son, a nurse and a governess . . . In a suite that costs more than a thousand francs a day . . . At six in the morning, she's strangled, not in her room, but in the basement locker room'Below stairs at a glamorous hotel on the Champs- lys es, the workers' lives are worlds away from the luxury enjoyed by the wealthy guests. When their worlds meet, Maigret discovers a tragic story of ambition, blackmail and unrequited love.This novel has been published in a previous translation as Maigret and the Hotel Majestic.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent
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