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Since the publication of their first controversial novels in the 1950s and 1960s, Philip Roth and Edna O'Brien have always argued against the isolation of mind from body, autobiography from fiction, life from art, and self from nation. In this book Dan O'Brien investigates these shared concerns of the two authors.
Sheds new light on death and dying in twentieth- and twenty-first century Irish literature. The author examines the ways that Irish wake and funeral rituals shape novelistic discourse. She argues that the treatment of death in Irish novels offers a way of making sense of mortality and provides insight into Ireland's cultural and historical experience of death.
Genesis of the Rising 1912-1916
Suitable for courses in Irish theatre, women in theatre, gender and performance, dramaturgy, and Irish drama in the twentieth century, this book examines the plays of five women, placing their work for theatre in co-relation to suggest a parallel tradition that reframes the development of Irish theatre into the present day.
Frank McGuinness's Dramaturgy of Difference and the Irish Theatre
Brings together scholars of Irish modernism to challenge the stereotype that Irish literature has been unconcerned with scientific and technological change. By focusing on writers' often-ignored interest in science and technology, this book uncovers shared concerns that challenge us to rethink how we categorize and periodize Irish literature.
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