Books in the Islandica series

Oddr Snorrason, a Benedictine monk in northern Iceland in the late twelfth century, composed a landmark Latin biography of the legendary Norwegian king Olaf Tryggvason (died 1000 A.D.).

Morkinskinna ("rotten parchment"), the first full-length chronicle of the kings of medieval Norway (1030-1157), forms the basis of the Icelandic chronicle tradition. Based ultimately on an original from ca. 1220, the single defective manuscript was...

The drottkvett was a form of Old Norse skaldic poetry composed to glorify a chieftain's deeds or to lament his death. Kari Ellen Gade explores the structural peculiarities of ninth- and tenth-century drottkvett poetry and suggests a solution to the...

Icelandic Baroque seeks to approach the writings of Hallgrímur Pétursson (1614-1674), Iceland's leading devotional poet, from a new direction. Hallgrímur is best known for his Passíusálmar, fifty hymns that contemplate the crucifixion and death of Christ, using a variety of meters and melodies; they have been sung in Iceland over Lent for many generations. This book offers a new evaluation of his poetry. First, seventeenth-century Icelandic literature in general, and Hallgrímur's works in particular, are set in the wider context of contemporary European literature, particularly from Scandinavia and Germany. Second, the influence of the poet's social milieu, both domestic and overseas, is explored. Third, the author Margrét Eggertsdóttir explores whether and, if so, how aesthetic and literary theories of the baroque can enrich our understanding of seventeenth-century Icelandic literature. Her principal aim is to contribute to a reevaluation of Icelandic seventeenth-century literary history by applying new interpretative perspectives to works by leading poets of the period, most notably the iconic figure of Hallgrímur Pétursson.

In Language of Power, Viðar Pálsson addresses pre-modern European power relationships that provide the context for narratives of feasts and exchanges of gifts so conspicuous in the Icelandic sagas. Viðar''s point of departure considers "comparative perspectives on rituals, the sociology of power, and pre-state political cultures in Europe," focusing on medieval Europe and its political and cultural heritage from classical antiquity, before proceeding to a similar contemplation of sagas of kings of Norway and sagas of the Icelandic commonwealth. In writing for scholars of Icelandic sagas and for scholars of medieval European cultures of power, Viðar analyzes in depth the demonstrative character of friendship in this pre-modern world as it derives from classical manifestations of amicitia.