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The historical context for a group of ancient and medieval figural graffiti found in 2015 at El-Kurru in northern Sudan, a royal pyramid burial ground of kings and queens of Kush from about 850 to 650 BCE. Written to engage non-specialist readers, the book will be of interest to archaeologists and historians with an interest in the Nile Valley.
The elaborately decorated coffin of Djehutymose is one of the central artifacts of the Kelsey Museum of Archaeology's Egyptian collection. Using the images and texts from the coffin along with related artifacts, Egyptologist T. G. Wilfong explores what the coffin tells us about ancient Egyptian ideas of life, death, and the afterlife.
The collection of the University of Michigan's Kelsey Museum of Archaeology explored through the people whose intellectual interests and financial backing brought artefacts to Ann Arbor from the 1880s to the 1990s. The Museum is internationally recognized for antiquities of the ancient civilizations of Greece, Rome, Egypt and the Near East.
This catalogue of a Kelsey Museum of Archaeology exhibition showcases a selection of Islamic art works held in the University of Michigan's collections. Rather than arranged chronologically, geographically, or by media, the objects are organized thematically and conceptually.
Hours of Infinity is the catalogue of an exhibition and performance by artist John Kannenberg at the Kelsey Museum of Archaeology and the Work Gallery in Ann Arbor, Michigan.
The Kelsey Museum of Archaeology has a long and impressive history of archaeological fieldwork activity. Over the past 80 years, the Museum has helped sponsor nearly two dozen projects in the Mediterranean. In the Field presents a well-illustrated summary account with accompanying bibliographies of each of these significant projects.
This volume examines archaeological evidence for this last phase of urban life in Asia Minor, one of the Roman empire's most prosperous regions. It brings together studies by an international group of scholars on topics ranging from the public sculpture of Constantinople to the depopulation of the Anatolian countryside in early Byzantine times.
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