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Explores the phenomenon of spatio-temporal lapse in Tarkovsky's cinema - from Ivan's Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the linear progression of events and create narrative discontinuity.
Soviet expedition films from between 1925-1940 are examined as early forms of documentaries with both ideological and educational agendas
Pioneer of political documentary and inventor of cinema verite, Dziga Vertov has exerted a decisive influence on directors from Eisenstein to Godard. This book covers the whole of Vertov's career, reveals him to be an auteur, allowing readers to combine the familiar and less familiar aspects of his filmmaking and thinking in a cohesive narrative.
Looks at Russian cinema of the 1990s, describing the currents and common interests of contemporary Russian cinema and studying the work of filmmakers such as Sokurov. A review of the industry in times of economic change is included, with an assessment of its function as a definer of Russia's new identity. In the KINO- THE RUSSIAN CINEMA series.
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