Books in the Landmarks of World Literature series

Scott's Waverley (1814), set in and around the Jacobite Rising in the Scotland of 1745-6, was the first historical novel in world literature. In this study, Richard Humphrey traces and accounts for the text's broad impact on and shows its originality in tackling the manifold issues of rebellion and warfare, separatism and union, prejudice and cultural tolerance.

In her introduction to this brilliant and outrageous literary landmark, Anne Barton places Don Juan within the context of Byron's life and reading, and offers an interpretation of the poem which demonstrates its underlying coherence and artistic integrity, despite Byron's mischievous protestations to the contrary.

This book offers a concise introduction to Gottfried von Strassburg's Tristan (c. 1210), one of the greatest works of medieval literature. The work is approached both through the context of other contemporary Tristan romances and through a close reading of key passages of the text.

This textbook series provides concise and lucid introductions to major works of world literature from classical antiquity to the twentieth century. This book will have a a full account of its historical, cultural, and intellectual background, a discussion of its influence, and a guide to further reading.

In this introduction to Wordsworth's greatest poem, its creation, historical context, structure and reception history, Stephen Gill places The Prelude in the context of Wordsworth's life, and discusses the various states in which it survives.

Les Fleurs du mal owes its 'landmark' status to the sheer aesthetic quality of its verses. Professor Leakey provides a comprehensive guide to understanding the poems and their context and a detailed account of Le Cygne.

Stephen Heath shows how Madame Bovary with its questioning of the value of marriage and the role of women captures and articulates the experience of the post-romantic commercial-industrial, democratic period.

This book offers a fresh approach to Hardy's novel, highlighting its modern qualities. Dale Kramer re-examines the main characters and investigates Hardy's handling of the plot and the novel's characteristics as a tragedy. He gives special consideration to Tess's search for her identity, and the role of her sexuality in this process.

In Doctor Faustus, his last major novel, Thomas Mann attempted to interpret and judge Germany's role in European culture and history since the Reformation. In this study, Michael Beddow analyses the chief historical, theological, psychological and musical themes of this complex work, and considers Mann's indebtedness to the Faust tradition, Nietzsche and neo-Marxism.

Conrad's great novel is a rich study not only of a typical South American country, but of the politics of any underdeveloped country, and for this reason it is permanently topical. Ian Watt addresses Conrad's concerns when writing the work, and provides an accessible introduction, taking account of background, history and politics, and reception and influence.

Journey to the End of the Night is a novel of sauage, exultant misanthropy, full of cynical humor and of the blackest pessimism in respect of humanity. In this detailed study, John Sturrock shows why Celine's extraordinary work should be acknowledged one of the chief literary landmarks of the twentieth century.

This study focuses on the Bible as a landmark of literature, showing both how it has influenced writers through the ages and how it in turn has been influenced by contemporary literature.

This introductory study presents Racine's Phedre as the culmination of French classical tragedy. It situates the play in its historical, literary and theatrical context, shows its relationship with other tragedies of Racine, and sketches its influence on later European literature.

This volume offers an accessible and stimulating introduction to one of the most influential texts of western literature. This guide highlights Milton's imaginative daring as he boldly revises the epic tradition, brilliantly elaborates upon Genesis, and shapes his ambitious narrative in order to retell the story of the Fall. The book considers the heretical dimensions of Paradise Lost and its theology, while situating Milton's great poem in its literary, religious, and political contexts. A concluding chapter addresses the influence of Milton's sublime poem as a source of creative inspiration for later writers, from the Restoration to the Romantics. Finally, the volume offers an extremely useful and updated guide to further reading, which students will find invaluable.

This is a radical introduction to the Life of Johnson. It discusses the main structural, dramatic, historical and imaginative aspects of the work, and establishes its intellectual contexts: Hume's philosophy, earlier biographical writings by Boswell, and the French and German Enlightenment and romantic traditions.

This is the first critical study of Sons and Lovers to engage with the new Cambridge edition, which prints for the first time the whole text that Lawrence wrote, restoring the substantial cuts made by the first editor.

This study places the novel, first published in 1830, in the context of its time and highlights the interpretration of the personal and the fictional in Stendhal's writing. The realism of the novel is derived from an incorporation of history and legal reportage.

This is a critical introduction that gives a fresh and impartial account of the world-famous satire. It explores the historical and literary backgrounds, Swift's narrative and stylistic art and discusses the the relation of the four parts of the Travels to one another.

Dr Wood traces in detail the frequently paradoxical development of themes and situations introduced in the opening chapters and lays stress on the novel's intricate writing. He places the book in its historical, intellectual and biographical context and examines its reception by writers as various as Stendhal, George Eliot, and Tolstoy.

The tradition of the German novel, before the emergence of its 'classic' writers in the first half of the twentieth century does not have an assured place in the canon of European literature. The one signal exception is Goethe's novel Die Leiden des jungen Werthers

Graham Storey explores Dickens' vital engagement with the social and political issues of his study of his day, and shows how these are reflected in the plot and characterization of Bleak House. He also assesses the surprisingly varied reception this great novel has had, and places it in the overall context of European literature.

Aimed at students of all levels this series attempts to provide companions to key works of world literature. This volume examines "Swann's Way" which forms the first part of Proust's seven-part novel, "A la Recherche du Temps Perdu".

This volume is a distinctive critical introduction to Homer's Iliad, the earliest epic poem, and the earliest known work of literature in ancient Greece. Michael Silk deals with the poem's historical context, its composition and its extensive influence, and relates its literary power to the peculiar coherence and inter-relation of such aspects of the poem as its style, character-portrayal and ideology. Through use of quotation from the original and accompanying English translation, close attention is paid to the distinctive texture of Homeric poetry. This revised edition takes account of recent scholarship in the field and includes a comprehensive updated guide to further reading. It is essential reading for students of literature and classics.

This textbook series is ambitious in scope. It provides concise and lucid introductions to major works of world literature from classical antiquity to the twentieth century. It is not confined to any single literary tradition or genre, and will cumulatively form a substantial library of textbooks on some of the most important and widely read literary masterpieces.

Peter France sets the Confessions in the context of Rousseau's life and society, discussing the different aims he set himself, and examining in detail the form and structure of the work.

Nicholas Boyle offers a detailed reading of Faust Part One, as well as a fascinating survey of early versions of the Faust story. He emphasises the poetic and dramatic coherence of the work and traces its links with the thought and culture of Goethe's time.

In this accessible critical introduction to Dante's Divine Comedy Robin Kirkpatrick principally focuses on Dante as a poet and storyteller. He addresses important questions such as Dante's attitude towards Virgil, and demonstrates how an early work such as the Vita nuova is a principal source of the literary achievement of the Comedy. His detailed reading reveals how the great narrative poem explores the relationship that Dante believed to exist between God as creator of the universe and the human being as a creature of God. In addition, Kirkpatrick takes due account of the historical and philosophical dimensions of the poem.