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In recent years there has been growing interest in the concepts of pictorial vividness («enargeia») and pictorial description («ekphrasis») in the works of ancient writers. Colour imagery can play a significant part in such pictorial effects. This book explores the visual and stylistic contributions that words for colour and shining make to the poetry of Catullus, Propertius, and Horace. First, the instances of colour usage by the three poets are analyzed and compared with the colour imagery of other ancient poets and artists. «Colour readings» of selected poems follow, illustrating how colours are employed by these poets to heighten the visual impact of their poems and influence the reader¿s emotional responses. This book fills a gap in the scholarship on colour in ancient poetry and provides fresh perspectives on the work of three important poets.
This book offers the first presentation of Hellenistic and Roman period ceramic assemblages from the city of Hierapytna, located on the southeast coast of Crete.
This book is a study of Theocritus' narrating techniques, intertextual practices, and the relationship between them. J. Andrew Foster provides detailed readings of these specific poems, demonstrating how each poem's narrative structure and its intratextual and intertextual affiliations interact to characterize the voices and audiences expressed and imagined by the discourse.
Greece in British Women's Literary Imagination offers a comprehensive overview of British female writing on Greece in the twentieth century and beyond.
This unique collection of essays contains a synthesis of recent works by distinguished archaeologists and historians in their field, illuminating extensive research in the Southern Gaul and on the territory of the Greek city of Marseille.
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