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Dorothy Nelson's first book to be published in the United States focuses on a demented, dysfunctional Irish family. The Crawford family is dominated by Da (Joe), a manic-depressive thief and liar who has spent two years in prison for exposing himself in the woods to young children and couples. Ma is a weak and downtrodden victim of her husband's violent temper who occasionally flirts with her son Benjee, an overly-sensitive boy with little hope for future happiness. As the narrative passes back and forth between the members of the family (in a style reminiscent of Ann Quinn), a compelling portrait of abuse and its consequences is constructed, one that contains both horror and humor in the sexual and social sickness of the characters.
A contemporary version of Thomas Mann's "The Magic Mountain, Curtis White's new novel begins with Mann's "unassuming young man," Hans Castorp, visiting his cousin at a health retreat. In this book though, the retreat is a spa for recovering alcoholics, totally unlike all other rehab centers. Rather than encouraging their patients to free themselves of their addiction, the directors of The Elixir believe that sobriety isn't for everyone, that you must let alcohol work its way on you. Filled with many compelling, outrageous, and comic voices, White's novel is disturbing, charming, and biting. It is about a weird and unlikely world that, nevertheless, is quite recognizable as our own.
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