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From award-winning author Barrie Jean Borich comes Apocalypse, Darling, a narrative, lyric exploration of the clash between old and new. Set in the steel mill regions of Chicago and in Northwest Indiana, the story centers on Borich''s return to a decimated landscape for a misbegotten wedding in which her spouse''s father marries his high school sweetheart. The book is a lilting journey into an ill-fated moment, where families attempt to find communion in tense gathering spaces and across their most formative disappointments. Borich tells the story of the industrial heartland that produced the steel that made American cities, but also one of the most toxic environmental sites in the world. As concise as a poem and as sweeping as an epic novel, Apocalypse, Darling explores the intersection of American traditional and self-invented social identities and the destruction and re-greening of industrial cityscapes. Borich asks: can toxic landscapes actually be remediated and can patriarchal fathers ever really be forgiven? In a political climate where Borich is forced to daily re-enter the toxic wastelands she thought she''d long left behind, Apocalypse, Darling is an urgent collision of broken spaces, dysfunctional affections, and the reach toward familial and environmental repair.
Diagnosed with severe anxiety, PTSD, and OCD in her early twenties, Sarah Fawn Montgomery spent the next ten years seeking treatment and the language with which to describe the indescribable consequences of her mental illness. Faced with disbelief, intolerable side effects, and unexpected changes in her mental health as a result of treatment, Montgomery turned to American history and her own personal history-including her turbulent childhood and the violence she faced as a young woman-to make sense of the experience.Blending memoir with literary journalism, Montgomery''s Quite Mad: An American Pharma Memoir examines America''s history of mental illness treatment-lobotomies to sterilization, the rest cure to Prozac-to challenge contemporary narratives about mental health. Questioning what it means to be a woman with highly stigmatized disorders, Montgomery also asks why mental illness continues to escalate in the United States despite so many "cures." Investigating the construction of mental illness as a "female" malady, Montgomery exposes the ways current attitudes towards women and their bodies influence madness as well as the ways madness has transformed to a chronic Illness in our cultural imagination. Montgomery''s Quite Mad is one woman''s story, but it offers a beacon of hope and truth for the millions of individuals living with mental illness and issues a warning about the danger of diagnosis and the complex definition of sanity.
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