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This book challenges past definitions of Italian American cinema and media studies by introducing fresh critical models into the discourse. Proposing new intersectional debates about ethnic identity, including race, class, gender, and sexuality studies, contributors establish new interpretations concerning Italian Americans on screen.
Minority Women and Western Media presents global research examining representations of minority women in different media contexts and shows that discrimination is about gender as well as other intersecting characteristics. Authors illustrate how stereotypes are challenged and new discourses emerge around the world giving voice to minority women.
This collection uses Susan Sontag's "Notes on 'Camp'" as a foundation from which to explore current topics related to camp. It recognizes Sontag's work as significant in spurring examination of the phenomenon but also limited in its descriptive rather than philosophical, theoretical, and conceptual nature.
Locating Queerness in the Media: A New Look delves deep into an understanding of queer sensibility. This collection examines how media images of the LGBTQ community create a universal consciousness about the media existence of queer people, ranging from tragic to villainous.
This book explores the convergence of gender, race, and social identities in the often-exclusionary arena of American politics. Contributors examine contemporary issues as they relate to candidate positioning, acceptance, and clashing ideologies that pervade America's political landscape.
Locating Queerness in the Media: A New Look delves deep into an understanding of queer sensibility. This collection examines how media images of the LGBTQ community create a universal consciousness about the media existence of queer people, ranging from tragic to villainous.
This book examines media depictions of intersecting components of marginalized identity. Through a study of how combined identities demonstrate a specific worldview, the contributors to this collection frame their understanding of media intersectionality as complex and multi-layered.
In Performative Memoir: The Methodology of a Creative Process, Theresa Carilli and Adrienne Viramontes construct a new genre of writing, performative memoir. Drawing on scholarship in performance studies and autoethnography, the authors outline a methodology for studying autoethnography, performance, and memoir in a new creative process. Carilli and Viramontes then demonstrate the process by creating their own performative memoirs, titled ';Loving Crazy' and ';Mexican Love,' and perform a close reading of each memoir to show how these theories can be applied to our own personal experiences and trauma. Scholars of performance studies, communication, media studies, cultural studies, and trauma studies will find this book particularly useful.
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